Charis Horton

참여 작품

태양의 서커스: 저니 오브 맨
Co-Producer
A child is born. We see underwater swimmers representing this. He is young, in a jungle setting, with two fanciful "instincts" guiding him as swooping bird-like acrobats initially menace, then delight. As an adolescent, he enters a desert, where a man spins a large cube of metal tubing. He leaves his instinct-guides behind, and enters a garden where two statues dance in a pond. As he watches their sensual acrobatics of love, he becomes a man. He is offered wealth (represented by a golden hat) by a devil figure. In a richly decorated room, a scruffy troupe of a dozen acrobats and a little girl reawaken the old man's youthful nature and love.
Wings of Courage
Producer
In 1920's South America a small group of Americans struggle to prove they can offer a reliable airmail service over the Andes. When one of the young pilots crashes on such a flight he has to try and get back to civilization on foot. Back home, his wife and colleagues start to fear the worst.
Impressions de France
Production Manager
This Disney Circle-Vision 180-degree film shown at Walt Disney World's EPCOT Center France pavilion showcases the breathtaking scenery and other visual delights of France. Many scenes are outdoors with aerial views of the countryside, rivers and much more.
Report
Production Assistant
Shot during the 1968/69 school year at University of California Berkeley, Report was created as part of Norman Jacobson’s experimental political science course “Toward an Expression of the Idea of Freedom.” The film, which features cinematography by avant-garde filmmaker Ed Emshwiller, merges fiction and documentary as it portrays the widening generation gap within the university, and in society at large. At the center of the film is an uncertain teacher and the students who challenge him.
Report
Shot during the 1968/69 school year at University of California Berkeley, Report was created as part of Norman Jacobson’s experimental political science course “Toward an Expression of the Idea of Freedom.” The film, which features cinematography by avant-garde filmmaker Ed Emshwiller, merges fiction and documentary as it portrays the widening generation gap within the university, and in society at large. At the center of the film is an uncertain teacher and the students who challenge him.