Scot Denton

출생 : , London, Ontario, Canada

참여 작품

Xchange
Eisner Scott
In the near future, a company called Xchange owns a mind transference technology that enables instantaneous travel by swapping bodies with someone at the destination. A member of the privileged corporate class ("Corpie") Xchanging for the first time unwittingly switches bodies with a terrorist. Forced to hide in a limited life span cloned body with just 2 days remaining, he races against time to stop the terrorist and regain his body.
Deadly Appearances
Pathologist
Joanne Kilbourn, ex-detective turned university lecturer, is still haunted by the unsolved murder of her politician husband,
처녀 자살 소동
Mr. O'Conner
1970년대 미국의 조용하고 보수적인 한 마을. 좀처럼 이웃 사람들과 어울리지 않는 리스본 가족의 아름다운 다섯 자매 중 한 명인 열세살 세실리아가 자살을 기도한다. 이 사건으로 비밀에 가득찬 리스본 일가의 실체가 나타나기 시작하는데...
Heritage Minutes: Nat Taylor
Office Man
An enterprising Canadian cinema operator invents the modern multi-screen movie theatre.
No One Could Protect Her
Sketch Artist
Fact-based drama about a smalltown rape victim who helps the police trap her attacker who has invaded her home again and again.
게이트
Dad
어느 날 밤 폭풍으로 인해 글렌의 집 뒷마당의 고목나무가 쓰러지고, 글렌과 그의 친구 테리는 나무가 뽑힌 구덩이 한 켠의 커다란 구멍을 보고 관심을 갖는다. 그러나 글렌과 테리 그리고 글렌의 누나 앨은 대수롭지 않게 넘겨 버린다. 그러던 어느 날 구멍 속에서 생물체들이 올라오는 것을 보게 된 이들은 구멍과 생물체들의 출현이 악마의 공격을 예고하는 것임을 전혀 알지 못한다. 그들의 부모는 아이들을 두고 여행을 떠나게 되고, 이틈을 타 공격을 시작하는 악의 세력과 글렌, 테리 그리고 앨의 전쟁이 시작된다.
Murder in Space
David Tremayne
Set in the "not-so-distant future", the crew of an international space station are set to return triumphantly to Earth, until someone starts killing the other crew members.
Home for Christmas
Amanda's husband
"Here is the quintessential Hancox 'personal documentary,' a film in which both the production and role of traditional documentary and autobiographical filmmaking are thrown into question. Using his camera to record a visit out east by train to spend Christmas with the family, Hancox .... used his familiarization with the annual ritual as a form of a script... Although we see the journey through the subjective judgment of Hancox’s eyes, it is his intent to transfer the material from original event to camera, to editing, and finally to the audience, so that the personal content of the film... becomes universal.” Michael Wade, Ontario Film Studies, Cinema Parallel “It is the honesty of portrayal which is staggering, for instead of an idyllic image which many filmmakers present of themselves, Hancox presents (and thus, sees) himself without cinematic make-up... with ‘wild sync’ sound (reminiscent of an early film), and with the use of only available natural light.” Richard Stanford