Nicolás Zukerfeld

출생 : 1982-12-30, Buenos Aires, Argentina

참여 작품

A Dust Filled Room
Writer
Agustín, a comic book illustrator, doesn’t want to continue drawing. Perhaps he’s a talentless man, or maybe he just doesn’t feel like it. One day he has a dream in which he barges in her ex-girlfriend’s place. That same day, he wants to prove if everything is still there, the way he left it.
A Dust Filled Room
Director
Agustín, a comic book illustrator, doesn’t want to continue drawing. Perhaps he’s a talentless man, or maybe he just doesn’t feel like it. One day he has a dream in which he barges in her ex-girlfriend’s place. That same day, he wants to prove if everything is still there, the way he left it.
The Magician, The Son and The Detective
Secuestrador de M
말을 타는 모습을 보여주는 36가지 방법은 없다
Editor
옛날에 한 영화감독이 이야기한 말 한마디에 집착하기 시작한 영화과 교수. 스스로 영화를 만들고 있다는 사실은 자각하지 못한 채 그 말의 기원만을 찾고 있다.
말을 타는 모습을 보여주는 36가지 방법은 없다
Writer
옛날에 한 영화감독이 이야기한 말 한마디에 집착하기 시작한 영화과 교수. 스스로 영화를 만들고 있다는 사실은 자각하지 못한 채 그 말의 기원만을 찾고 있다.
말을 타는 모습을 보여주는 36가지 방법은 없다
Director
옛날에 한 영화감독이 이야기한 말 한마디에 집착하기 시작한 영화과 교수. 스스로 영화를 만들고 있다는 사실은 자각하지 못한 채 그 말의 기원만을 찾고 있다.
A Movie Made of
Screenplay
In Vigo, Spain, during Christmas, Ángel, a Spanish filmmaker, walks through the crowded streets while thinking about a possible movie made of…
A Movie Made of
Director
In Vigo, Spain, during Christmas, Ángel, a Spanish filmmaker, walks through the crowded streets while thinking about a possible movie made of…
Let Us Now Praise Movies
Writer
A man who works at a book shop and writes for a film magazine meets the woman who photocopies his ID; as well as another man, an illustrator. They get together with a man who works as a waiter and produces independent cinema.
Let Us Now Praise Movies
Director
A man who works at a book shop and writes for a film magazine meets the woman who photocopies his ID; as well as another man, an illustrator. They get together with a man who works as a waiter and produces independent cinema.
The Winter Comes After Autumn
Writer
The Winter Comes After Autumn
Director
Didascalias
A city department is the scene of confluences of relationships, where the intimacy of a couple and the public sphere of work are confused and converge.
Dios bendiga a los niños y a las bestias
Editor
Gaspar has his first date with Manuela. Gaspar likes Manuela. Manuela doesn't like Gaspar very much, but she likes that Gaspar likes her. They talk about the things that are usually talked about on first dates
Dios bendiga a los niños y a las bestias
Director
Gaspar has his first date with Manuela. Gaspar likes Manuela. Manuela doesn't like Gaspar very much, but she likes that Gaspar likes her. They talk about the things that are usually talked about on first dates
(How) To Be Dead
Writer
A young man decides to self-examine. He escapes from school and meets two friends who do not know his plan. They spend the whole day wandering around the center of Buenos Aires. Finally, the young man leaves his friends in a train while they sleep. The young man, alone, wanders through the city through the night. Security cameras monitor the city, but the young man disappears.
About Buenos Aires
Writer
Eleven young film-makers got together to collaborate in this atypical project. Atypical not only because of its technical specs, but because of its narrative structure. There are several scenes with only the city in common, and more as a conceptual presence at that than as a precise geography. None of those scenes contains a single "story": Each one of them is part of a larger situation that we cannot see, as though the beginning and end of each "story" had to be filled in by the audience.
About Buenos Aires
Director
Eleven young film-makers got together to collaborate in this atypical project. Atypical not only because of its technical specs, but because of its narrative structure. There are several scenes with only the city in common, and more as a conceptual presence at that than as a precise geography. None of those scenes contains a single "story": Each one of them is part of a larger situation that we cannot see, as though the beginning and end of each "story" had to be filled in by the audience.
Safo
Director of Photography
A remake of the 1943 film of the same name.