Nelson Carlo de los Santos Arias

A voice that claims to be from a hippopotamus. A voice that doesn’t understand the perception of time. Pepe, the first and last hippo killed in the Americas, tells his story with the overwhelming orality of these towns.

A voice that claims to be from a hippopotamus. A voice that doesn’t understand the perception of time. Pepe, the first and last hippo killed in the Americas, tells his story with the overwhelming orality of these towns.

A voice that claims to be from a hippopotamus. A voice that doesn’t understand the perception of time. Pepe, the first and last hippo killed in the Americas, tells his story with the overwhelming orality of these towns.

A voice that claims to be from a hippopotamus. A voice that doesn’t understand the perception of time. Pepe, the first and last hippo killed in the Americas, tells his story with the overwhelming orality of these towns.

A voice that claims to be from a hippopotamus. A voice that doesn’t understand the perception of time. Pepe, the first and last hippo killed in the Americas, tells his story with the overwhelming orality of these towns.

A voice that claims to be from a hippopotamus. A voice that doesn’t understand the perception of time. Pepe, the first and last hippo killed in the Americas, tells his story with the overwhelming orality of these towns.

A voice that claims to be from a hippopotamus. A voice that doesn’t understand the perception of time. Pepe, the first and last hippo killed in the Americas, tells his story with the overwhelming orality of these towns.

복음주의 기독교도인 알베르토는 아버지의 장례식에 참석하기 위해 고향으로 돌아왔다. 그는 고인을 추모하기 위해, 자신의 의지와 믿음에 반하는 행사에 참석하도록 강요받는 상황에 처해 있다. (2018년 제19회 전주국제영화제)

복음주의 기독교도인 알베르토는 아버지의 장례식에 참석하기 위해 고향으로 돌아왔다. 그는 고인을 추모하기 위해, 자신의 의지와 믿음에 반하는 행사에 참석하도록 강요받는 상황에 처해 있다. (2018년 제19회 전주국제영화제)

복음주의 기독교도인 알베르토는 아버지의 장례식에 참석하기 위해 고향으로 돌아왔다. 그는 고인을 추모하기 위해, 자신의 의지와 믿음에 반하는 행사에 참석하도록 강요받는 상황에 처해 있다. (2018년 제19회 전주국제영화제)

In the fictional city of Santa Teresa, located on the border between Mexico and USA, the researcher Juan de Dios Martínez straddles the line between journalism and detective work. Based on an unfinished book by Roberto Bolaño, his character investigates a handful of crimes and abuses perpetrated on women and workers of the zone.

In the fictional city of Santa Teresa, located on the border between Mexico and USA, the researcher Juan de Dios Martínez straddles the line between journalism and detective work. Based on an unfinished book by Roberto Bolaño, his character investigates a handful of crimes and abuses perpetrated on women and workers of the zone.

In the fictional city of Santa Teresa, located on the border between Mexico and USA, the researcher Juan de Dios Martínez straddles the line between journalism and detective work. Based on an unfinished book by Roberto Bolaño, his character investigates a handful of crimes and abuses perpetrated on women and workers of the zone.

Lullabies is a false autobiography. A game that sometimes is blue or has no color. A story that, as Dominican conversations, won't finish its ideas and finds in onomatopoeias conclusions to its thoughts. A tale about a glance, a space, an action, or a love, but that definitely belongs to the boy that appears and disappears in the abstraction of a childhood memory.

Lullabies is a false autobiography. A game that sometimes is blue or has no color. A story that, as Dominican conversations, won't finish its ideas and finds in onomatopoeias conclusions to its thoughts. A tale about a glance, a space, an action, or a love, but that definitely belongs to the boy that appears and disappears in the abstraction of a childhood memory.

Gladys and her daughter live on the periphery of New York City where they share their isolated lives together in their own little space in the same house, which is their whole world. Hidden in a city that also hides from them, a New York that grows smaller as the two of them stay within their own four walls where they only speak Caribbean Spanish together, and a few words in English they have managed to remember.

A short film

She Said He Walks, He Said She Walks (2008) is nostalgia, bitter love and postures encapsulated in a skilled short film by Dominican Nelson Carlo de los Santos. Presents a resounding account of a relationship, subject to contemplation of four minutes. Sleazy love disoriented by the wandering wanderings of what was wanted and felt, within a complaint about the industrialized and prefabricated image that pollutes the natural feeling.