Rhayne Vermette

그들이 밤을 헤매는 동안, 르네가 어둠에서 벗어났다는 소식이 도착한다. 모데스트는 누나와 어색하게 재회해야 하는 상황에 갑작스레 놓이게 된다. 몇 년간 실종 상태였던 르네의 귀환에, 르네의 딸 아텐과 가족들은 동요한다. 르네가 과거의 파편들을 모아 자신의 꿈을 만들어 나가기 시작하자, 불길한 예감이 땅을 뒤흔든다. 2년간 캐나다 원주민 메티스족의 중심지인 ‘1번 조약 지역(Treaty 1)´의 사적이고 상징적이며 역사적인 장소들을 촬영했다. "쌩땅느"는 이 땅을 이미지의 힘을 통해 복원하려 했다. (제22회 전주 영화제)

그들이 밤을 헤매는 동안, 르네가 어둠에서 벗어났다는 소식이 도착한다. 모데스트는 누나와 어색하게 재회해야 하는 상황에 갑작스레 놓이게 된다. 몇 년간 실종 상태였던 르네의 귀환에, 르네의 딸 아텐과 가족들은 동요한다. 르네가 과거의 파편들을 모아 자신의 꿈을 만들어 나가기 시작하자, 불길한 예감이 땅을 뒤흔든다. 2년간 캐나다 원주민 메티스족의 중심지인 ‘1번 조약 지역(Treaty 1)´의 사적이고 상징적이며 역사적인 장소들을 촬영했다. "쌩땅느"는 이 땅을 이미지의 힘을 통해 복원하려 했다. (제22회 전주 영화제)

그들이 밤을 헤매는 동안, 르네가 어둠에서 벗어났다는 소식이 도착한다. 모데스트는 누나와 어색하게 재회해야 하는 상황에 갑작스레 놓이게 된다. 몇 년간 실종 상태였던 르네의 귀환에, 르네의 딸 아텐과 가족들은 동요한다. 르네가 과거의 파편들을 모아 자신의 꿈을 만들어 나가기 시작하자, 불길한 예감이 땅을 뒤흔든다. 2년간 캐나다 원주민 메티스족의 중심지인 ‘1번 조약 지역(Treaty 1)´의 사적이고 상징적이며 역사적인 장소들을 촬영했다. "쌩땅느"는 이 땅을 이미지의 힘을 통해 복원하려 했다. (제22회 전주 영화제)

A murder has been committed on a balcony. But it is only one of the many balconies attached to a large apartment block. Strange things are transpiring of each of them on loop. As the eye attempts to take them all in, the murder soon seems entirely unimportant.

Woman 2 Woman. An 8-fest commission heavily edited for TV purposes.

"The block of marble is the most beautiful of all statues" - Carlo Mollino

“…while many architects through their time have sought a ‘true house’ or a ‘true architecture’, their truth was something of the past and not so true in the present […] here architecture is a child of the sea, arose from its substance…” — Gio Ponti At the age of 32, I finally ran away from home. Dramatically, I left with only my cat and copies of all the still and motion images taken by my father (these dating until the mid 1990s when he then passed his camera down to me). And while I unpacked the baggage of this surreal house coincidentally, back home, renovations were in order… Here, an architectural threnody is composed through a various "true stories" and the inherent struggle between the metaphysical and material. What time is it? No time to look back...

In this very short animation, an apparition reveals itself through celluloid and transmits vestiges of a forgotten provenance. Have the onlookers interpreted its signs correctly or was the message misunderstood? Inspired by found sound of two people’s discovery of a mysterious event in the sky. Produced as part of the 11th edition of the NFB’s Hothouse apprenticeship.

In this very short animation, an apparition reveals itself through celluloid and transmits vestiges of a forgotten provenance. Have the onlookers interpreted its signs correctly or was the message misunderstood? Inspired by found sound of two people’s discovery of a mysterious event in the sky. Produced as part of the 11th edition of the NFB’s Hothouse apprenticeship.

In this very short animation, an apparition reveals itself through celluloid and transmits vestiges of a forgotten provenance. Have the onlookers interpreted its signs correctly or was the message misunderstood? Inspired by found sound of two people’s discovery of a mysterious event in the sky. Produced as part of the 11th edition of the NFB’s Hothouse apprenticeship.

Fetishized alpine landscapes of 16mm film collage and rayograms generate an obscured portrait of the godlike, Carlo Mollino. Completed in anticipation of a personal pilgrimage to Turin - this film delineates what is at stake for the genius bachelor architect as well as the deplorable, unremittingly heartbroken filmmaker (who adores him so).

This film is my failed attempt at creating a thematic palindrome of audio/visual samples. When working between two poles of remembering - one easily gets confused. Please enjoy this film before my mother asks me to delete it.

Rob Vilar, the most criminally unknown actor who has walked the planet Earth. Salvaged from a dumpster near the National Screen Institute’s offices in Winnipeg, this video is the seminal preface to this man and his evolving craft. A pandemonium of film clips and reenactments celebrate the origins of Vilar’s artistic ingenuity, while a portrait of Winnipeg and its underground enterprises are epitomized. At last, we have a star!

“Is this your first visit here?” “Yes.” “Well this whole thing must seem kinda strange to you, huh? You realize that I can’t see you even though you see me. Well that takes a little getting used to.. Oh. Am I looking at your face now? (laughs) It

This film documents a tedious process of dismantling and reassembling 16 mm found footage. The film collage imitates functions of a curtain, while the recorded optical track describes the flm's subsequent destruction during its first projection.

There are few alternatives for exiles. The homecoming may be postponed to an indeterminate future; one could settle for a replacement; and lastly, there is always madness.

A section cut through a transitional editing tool, the dissolve. For Craig Baldwin.

An architectural portrait emerges as a transmogrification through various broken projectors. These particular projectors are currently being sold at J. Werier, a Winnipeg warehouse emporium and artifact.

In pursuit of an eclipse, the citizens of Winnipeg flee the city. Meanwhile, stranded in Tudor Village, the caretaker does his best to interrupt their trajectory & entice everyone to return.

In 2010, Winnipeg director, Guy Maddin exclaims "it's impossible to collage a film!"

Precluding his destination, that morning, the sky receded into a peculiar darkness. Boarding the northern train, Mr. Seymore drifts through the murky turbulences of the night.