Ákos Östör

참여 작품

In My Mother's House
Sound Recordist
One day in 2005, Lina Fruzzetti receives a startling email that reads, "If this is your father, we are cousins." There follows a decade-long quest to learn more about her Italian father who died young in Italian ruled Eritrea and her Eritrean mother who does not dwell on the past. Above all, Fruzzetti strives to understand her far-flung African, European, and American family against the backdrop of colonial rule, worlds at war, migration, grief, diasporas, and the global world in which we all live.
In My Mother's House
Director of Photography
One day in 2005, Lina Fruzzetti receives a startling email that reads, "If this is your father, we are cousins." There follows a decade-long quest to learn more about her Italian father who died young in Italian ruled Eritrea and her Eritrean mother who does not dwell on the past. Above all, Fruzzetti strives to understand her far-flung African, European, and American family against the backdrop of colonial rule, worlds at war, migration, grief, diasporas, and the global world in which we all live.
In My Mother's House
Producer
One day in 2005, Lina Fruzzetti receives a startling email that reads, "If this is your father, we are cousins." There follows a decade-long quest to learn more about her Italian father who died young in Italian ruled Eritrea and her Eritrean mother who does not dwell on the past. Above all, Fruzzetti strives to understand her far-flung African, European, and American family against the backdrop of colonial rule, worlds at war, migration, grief, diasporas, and the global world in which we all live.
In My Mother's House
Writer
One day in 2005, Lina Fruzzetti receives a startling email that reads, "If this is your father, we are cousins." There follows a decade-long quest to learn more about her Italian father who died young in Italian ruled Eritrea and her Eritrean mother who does not dwell on the past. Above all, Fruzzetti strives to understand her far-flung African, European, and American family against the backdrop of colonial rule, worlds at war, migration, grief, diasporas, and the global world in which we all live.
In My Mother's House
Director
One day in 2005, Lina Fruzzetti receives a startling email that reads, "If this is your father, we are cousins." There follows a decade-long quest to learn more about her Italian father who died young in Italian ruled Eritrea and her Eritrean mother who does not dwell on the past. Above all, Fruzzetti strives to understand her far-flung African, European, and American family against the backdrop of colonial rule, worlds at war, migration, grief, diasporas, and the global world in which we all live.
Loving Krishna
Director
Loving Krishna is about the worship of Krishna and the meaning of devotion. It explores the rural and urban character of the town of Vishnapur in West Bengal by examining the royal past, everyday life, work in traditional arts and crafts, bazaar exchange, and sacred rituals and festivals. Public and private devotional life is represented by detailed visual narratives of the Chariot Journey of Krishna, celebrated by the whole town, and the Birthday Festival commemorated on a much smaller scale of intimate family worship.
Serpent Mother
Director
Serpent Mother is about devotion to the Goddess of Snakes and the importance of divine female power in West Bengal Indian life. The film's focus is the Jhapan Festival, the great celebration of snakes. Shown are festival preparations, the role of traditional arts and crafts in the worship of the Goddess, devotional singing, and an exposition of ritual action. The difficult and complex symbolism of the ritual is explained by the participants themselves. In addition to the commentary, this makes accessible what is, at first glance, exotic and inexplicable behavior.
Sons of Shiva
Director
Sons of Shiva is a sustained attempt to film a four-day ceremony concerned with the worship of Shiva. Devotees of the God Shiva are shown from the initial taking of the Sacred Thread through gradually intensifying action to a culmination in a variety of ascetic and self denying practices.
Singing Pictures: Women Painters of Naya
Director
Documentary Short