Mariana Chaud

Laura is spending a few days at her beach house to supervise the construction of a barbecue shed. One afternoon, she seduces the chief builder, who never returns. Over the following days, the builders continually invade her home – until Laura grows ferocious.

Romina returns to her roots to rediscover who she is. After the first overwhelming years as a mother, it's as if the mist starts to rise: she's a little too old for disco parties and hanging round with twenty-somethings, but still young enough to fantasise about others. Actress Romina Paula points the camera at herself, her son and her mother in this intriguing mixture of documentary and fiction.

남자 X가 살인 장면을 목격한다. 현장에 다가간 X는 예상 밖의 일을 저지른 후 황급히 자리를 떠난다. 남자 Z는 새 일자리를 구한다. 20년이나 일했다는 전 직원이 썼던 차를 정리하던 Z는 이해할 수 없는 암호로 가득한 공책을 발견한다. 수로 개발을 두고 의견이 분분하자 팍토로비치는 남자 H를 고용한다. 남자 H는 이유도 모른 채 강을 따라가며 교각이나 기둥의 사진을 찍어야만 한다. 정체불명의 세 인물을 중심으로 한 세 줄기의 이상야릇한 이야기가 펼쳐지며, 모든 이야기는 마치 책을 읽어 주는 듯한 내레이션을 통해 전해진다.

Eleven young film-makers got together to collaborate in this atypical project. Atypical not only because of its technical specs, but because of its narrative structure. There are several scenes with only the city in common, and more as a conceptual presence at that than as a precise geography. None of those scenes contains a single "story": Each one of them is part of a larger situation that we cannot see, as though the beginning and end of each "story" had to be filled in by the audience.