Hanna Storby

We follow three women on an emotional and thought-provoking journey as they lend their bodies and carry someone else's child.

잉마르 베리만: “엄마와 딸의 관계는 문학이나 영화에서는 거의 다뤄지지 않았어요. 전 둘 사이에 흐르는 긴장감에 매료됐죠.” 일에 모든 걸 바친 한 여자 피아니스트가 목사와 결혼해 노르웨이 북부에 사는 딸의 집에서 36시간을 보낸다. 둘이 대화를 나누면서 과거를 회상하는 장면들이 하나씩 펼쳐진다.

The two psychology students Sara and Simon believe they have identifed the reason behind the loneliness of our modern western society. They conclude that our need for self-realization through consumption leaves us with a sense of meaninglessness. An experiment is initiated and they gather a group of young people in an isolated house in the countryside. During the stay in the house, Simon gradually becomes a sovereign leader. What started out as a field study gradually turns into something more similar to a cult.

Robin ownes a beautiful old theatre in Norrköping, Sweden. There he lives with his husband. To solve a critical financial situation for the theatre, Robin puts up an equivoque burlesque show. In the middle of rehearsals he gets a phone call from Christian, the owner of a swingers club, who is in desperate need of new facilities because of a terrible fire that ruined his club. Renting out the cellar is a very interesting option for Robin and soon the two new friends start to cooperate while the town of Norrköping is in rage. The dream of Cristian is to make a big swingers party in the whole theatre and sometimes dreams come true.

Robin ownes a beautiful old theatre in Norrköping, Sweden. There he lives with his husband. To solve a critical financial situation for the theatre, Robin puts up an equivoque burlesque show. In the middle of rehearsals he gets a phone call from Christian, the owner of a swingers club, who is in desperate need of new facilities because of a terrible fire that ruined his club. Renting out the cellar is a very interesting option for Robin and soon the two new friends start to cooperate while the town of Norrköping is in rage. The dream of Cristian is to make a big swingers party in the whole theatre and sometimes dreams come true.

When Sebastian meets Andreas for the first time, he knows they belong together. While Sebastian defies gender norms — flouting convention in his androgynous fluidity — straight-identifying Andreas becomes unable to accept his attraction to another man, as their relationship progresses. Struggling with his identity, Sebastian becomes increasingly determined to become “Ellie,” even if it means walking away from Andreas.

The year is 1941 in Sweden and Astrid seeks independence by trying to become a train conductor. On the train she meets an older passenger Dora, which she feels attracted to. Astrid also faces a more dark and hostile world on board as she discovers that the staff has put in system to reject unwanted passengers such as Romans and Jews.