Hannah Morrish

Caesar and his assassins are dead. General Mark Antony now rules alongside his fellow defenders of Rome. But at the fringes of a war-torn empire the Egyptian Queen Cleopatra and Mark Antony have fallen fiercely in love. In a tragic fight between devotion and duty, obsession becomes a catalyst for war.

The decay of Rome reaches violent depths in Shakespeareas most bloody play. Titus is a ruler exhausted by war and loss, who relinquishes power but leaves Rome in disorder. Rape, cannibalism and severed body parts fill the moral void at the heart of this corrupt society. Shakespeareas gory revenge tragedy presents us with murder as entertainment, and, as the body count piles up, poses questions about the nature of sexuality, family, class and society.

Ceres tells the story of a daughter seeking refuge from her emotionally abusive partner at the home of her estranged mother. It follows their attempt to reconnect, and move forward, despite the knowledge that their time together is limited; bound in a knot of silent agreement to the changing of the seasons.

Ceres tells the story of a daughter seeking refuge from her emotionally abusive partner at the home of her estranged mother. It follows their attempt to reconnect, and move forward, despite the knowledge that their time together is limited; bound in a knot of silent agreement to the changing of the seasons.