Digital Imaging Technician
데사나 토착민인 45세의 유스티노는 마나우스 항구에서 경비로 일하고 있다. 그의 딸이 의학 공부를 위해 유학을 준비하던 어느 날, 유스티노는 원인을 알 수 없는 열병을 앓게 된다.
Second Assistant Camera
국회의원 ‘보르헤스’를 중심으로 결성된 비밀 클럽 ‘카니발 클럽’은 마음 깊이 들끓는 추악한 쾌락과 행복을 실현하기 위해 일꾼들을 성적으로 착취하다가 살육하고 요리해 먹는 일을 반복한다. 그러던 어느 날 사업가 부부 ‘옥타비오’와 ‘길다’가 우연히 ‘보르헤스’의 비밀을 알게 되면서 회원들 간에 배신이 발생하고, 그들 앞에는 걷잡을 수 없는 핏빛 암투가 기다리고 있는데…
Director of Photography
This intimate look at Éliane Radigue, French pioneer of minimalist and electro-acoustic music, explores the sensory singularity of her "sound sculpture" and its meditative virtues.
Director of Photography
Erik Satie’s work is at the heart of modern music. However, who was Satie? An elusive genius or a visionary misanthrope? The film tries to sketch an identikit of the musician through his notes and the places he lived in. Musicologists mostly agree in describing Satie’s music as inhabited by voids and holes. The long pauses between one musical passage and the other are musical structures unto themselves; therefore, the filmmakers create a dissonant Satie-like universe in which empty spaces are adjacent to eloquent passages. Like a mysterious flower visible only to the eye that is willing to dance with its charm, the film unfolds little by little through mental associations and creative juxtapositions. There are no answers in the universe inhabited by the ghosts of Satie’s creations. Architectural forms and recollections from desires and acts of creative hubris compete to create a new world, which ultimately is the image of a new and more seductive pleasure principle.
Editor
Addresses the relationship of Fernando and Caio, starting with a strong physical attraction but ends up bumping into in the absence of dialogue.
