Jelena Maksimović

A small town orchestra goes on a tour to Austria - an occasion to escape their everyday lives, indulge in heavy partying and try to connect with their true emotions. However, not everything will go as planned...

Branka is a young caretaker who has recently moved to an island to look after an elderly woman. After the harsh winter is over and her job is finished, Branka decides to stay on the island for the summer season. She gets a job in tourism, but the pay is meager and the job exhausting, making it just a temporary solution.

A space in silence, where past has captured present. Taking over, layer by layer, the collective pain enters the landscape, the space, the city. Eventually, it enters us. Srebrenica becomes a reality of today, and our own reality.

Filip, a sophisticated university professor, goes with his wife to a spa on the coast. After a few of days spent in the comfy and monotonous ambiance of the hotel, their seemingly ideal marriage is over. Filip is left by his wife. Everything seems to indicate that his life is collapsing, but Filip, refined and armed with confidence, faces each new circumstance with unusual ease. Deep in the forest, a new fantasy world will break him down, but also give him a chance for a new beginning.

NATO bombing of Serbia in 1999. James, a young journalist on his first deployment abroad, is faced with the absurd reality of news production and is forced to choose between his career and his moral code.

아우슈비츠에서 레지스탕스 운동을 이끈 지도자이며 유고슬라비아 최초의 여성 파르티잔 중 한 명이자 반파시스트 운동가인 97세 소냐의 기억을 따라간다. 이 영화는 소냐의 이야기가 시간을 넘어 오늘날의 반파시스트 운동가들에게까지 가닿도록 하며, 레지스탕스를 사유하고 실천에 옮기는 것이 항상 가능한 일임을 시사한다. (제22회 전주 영화제)

한 여자가 할머니가 살았던 산골 마을로 향한다. 할머니가 그리스 내전 당시 피난을 떠난 그곳에서 폐허와 망각을 마주한다. 곧 닥쳐올 변화의 예감과 함께, 그 여름은 그녀를 당시의 시간을 간직한 마을로 데려간다.

한 여자가 할머니가 살았던 산골 마을로 향한다. 할머니가 그리스 내전 당시 피난을 떠난 그곳에서 폐허와 망각을 마주한다. 곧 닥쳐올 변화의 예감과 함께, 그 여름은 그녀를 당시의 시간을 간직한 마을로 데려간다.

한 여자가 할머니가 살았던 산골 마을로 향한다. 할머니가 그리스 내전 당시 피난을 떠난 그곳에서 폐허와 망각을 마주한다. 곧 닥쳐올 변화의 예감과 함께, 그 여름은 그녀를 당시의 시간을 간직한 마을로 데려간다.

Communist ideals have long lost their value in Yiwu, a city with 600 Christmas factories, in which Christmas as we know it is produced for the entire world. With rising wages, the workers in Christmas factories can now afford newest iPhones, but they still live in crowded dormitories. All migrants in their own country, nostalgic for some place far away, some miss their families left in hometowns, other miss their friends and lovers from the factories when they go home for holidays. Young generation is already tired of long factory hours, chemical fumes and glitter particles, and they do not care for their parents' wishes to get educated. Stuck in between Chinese tradition and the newly discovered Chinese dream, they want their own businesses, to be rich, to be independent, to be in love.

Time as punishment — of juvenile inmates and bodies that become heavy in prescribed spaces.

Sava Centar is a congress space built in 1978 in Belgrade, Yugoslavia, whose architecture reflects an idea of the future. Made to host thousands, it now stands almost abandoned. The maintenance workers shoulder the duty of restoring the space.

블라다는 1999년 세르비아에서 나토 폭격 당시 트럭 운전사 일을 했다. 코소보에서 베오그라드까지 정체불명의 짐을 실어 나르는 역할을 하며, 그는 전쟁으로 폐허가 된 낯선 영토를 누볐다. 언젠가 이 일이 끝나고 나면, 고향으로 돌아와 자신이 해왔던 일에 대한 후폭풍을 감당해야 함을 그는 알고 있다.

블라다는 1999년 세르비아에서 나토 폭격 당시 트럭 운전사 일을 했다. 코소보에서 베오그라드까지 정체불명의 짐을 실어 나르는 역할을 하며, 그는 전쟁으로 폐허가 된 낯선 영토를 누볐다. 언젠가 이 일이 끝나고 나면, 고향으로 돌아와 자신이 해왔던 일에 대한 후폭풍을 감당해야 함을 그는 알고 있다.

Jelena Maksimović and Dušan Grubin explore coming of age and masculinity in the township of Zemun in their joint directorial debut.

Jelena Maksimović and Dušan Grubin explore coming of age and masculinity in the township of Zemun in their joint directorial debut.

Jelena Maksimović and Dušan Grubin explore coming of age and masculinity in the township of Zemun in their joint directorial debut.

After leaving the ship on which she works, Sanja finds herself stranded, with nowhere to go but home. The shipyard has filed for bankruptcy, leaving many workers out of work. A storm comes; one life is lost. Luka is waiting for the night in the woods. The night when everything could change.

On mysterious cassettes forgotten or left behind for 17 years, a disturbing filmic material is revealed. Accompanied by the extracts of a diary written by the protagonist standing behind the camera, the images translate into a singular and transformative intimate experience. Mladen Kovačević constructs a film using sequences retracing a Serbian expedition to Mount Everest. Images from another time, shot in the almost alien, mystical landscapes reveal enigmatic characters, perilous circumstances and the suspense of confrontation to the real limits of human capabilities. An adventure film, as rigorous as it is melancholic, based on skilful editing.

“Mezostajun” is an experimental documentary film, exploring spatiotemporal relations in a Mediterranean city in which the role of city’s public spaces in people’s lives varies greatly, depending on the season of the year. Elements of summer and winter are cinematically interlaced, and create in the viewers’ perception a new existential interspace called ‘’mezostajun’’.

Story of Ranta, always hungry, clumsy and infinitely tall teenage boy (so tall that he could tie a necktie for Giraffes). When the gym teacher at his school invites him to play for a basketball team, Ranta's world is turned upside down. So starts an exciting journey, full of unpredictable adventures with his funny friend/manager Smodlak by his side.

Gorani people live in Gora, in the south of Kosovo. They are Muslims who speak a Slavic language. Throughout the years they were always used for political games of power between the surrounding nations (Serbs, Macedonians, Bulgarians, Albanians, Bosnians...). This is the first film that deals with the way these people are, not who they are or who they belong to. The film observes their everyday life, diverse culture, rich herds of cows, sheep and shepherd dogs. They work, talk, dance, play music, discuss, preach, pray, walk and sing as the mountains above remind them how ephemeral their existence is.

She is spending her life defying gravity on the vertical road that literary has no beginning or end, where she has nothing to hope for, where only injury or death can happen to her. She has only her memories.

1999: While NATO was bombing Yugoslavia, a truck containing 53 dead bodies plunged into the Danube near the border with Romania. No enquiries were carried out. Previously, in Suva Reka, Kosovo: Serbian police herd villagers together. A woman experiences terrible things, bodies disappear into remote mass graves. People as little more than mere matter.

Thirteen European directors explore the theme of Sarajevo; what this city has represented in European history over the past hundred years, and what Sarajevo stands for today in Europe. These eminent filmmakers of different generations and origins offer exceptional singular styles and visions.

In the flat where I grew up, in a closet, hidden behind his clothes, uniform and a pistol, my father kept a box with papers, school documents and volumes. After he died, I searched the box. In his student report book I found a name of professor who lectured "The basics of Marxist sociology" in 1976. I went to the professor and asked him: "What is friendship?" - "A tiny bird," he said.

Composed of archival footage of his friends' travels, the director creates a special view of the spaces he did not physically visit.