Lo Duen

호색가 미앙생은 순진한 옥향 낭자와 결혼 후 정원에서 아찔한 관계를 맺다 장인에게 걸려 꾸지람을 듣고 수행을 핑계로 집을 나온다. 집을 나와 방랑하던 그는 쾌락을 위해 뭇여자를 희롱하며 호색행각에 나서 정력을 소모한다. 한편, 미앙생으로 인해 성에 눈을 뜬 옥향은 외로운 밤을 견디지 못하고 결국 본능에 몸을 맡기는데...

Industrialist Tam Kar-cheung knowingly puts the lives of his workers at risk so as to line his pocket with insurance payments. The chivalrous Bus Money gets into fisticuffs with Tam's chauffeur, Tam Biu, who bears a grudge against the assailant. When Money catches wind of Kar-cheung's vicious plot to set fire to a squatter area to clear the path for a property development project, she moves in and watches vigilantly for signs of arson. Soon, she saves Ah-hau, Biu's girlfriend and a young victim of drug rape, from her suicidal attempt by drowning. Money pursues fragments of clues which lead her to the victim's boss, Taipan Cheung who sucks up to his master Kar-cheung by drawing his prey to her trap. Money then organises squatter residences into fire brigade to guard against arson attacks and exposes Kar-cheung's evil. Realising he has been exploited for his blind loyalty, Biu teams up with Money to dispense justice.

Bus Money dons various disguises on public buses to protect the defenceless from the bullies and receives heroic praise. Money meets Tai Ngau, a righteous journalist, when they bear witness to the callous response of Manager Mo to the death of his servant Ah-kwai. Tai writes to redress grievances of the deceased. When visiting the family of orphans, he chances on his kindred spirit giving the eldest daughter Ah-yin a gift of gold. Money exploits the weakness of Mo and her connection with his son Sze-fu to swindle a fortune out of the lewd man for the benefits of the fatherless children. Her rage grows learning that Mo's friend Fong Hak-sang has pulled off a lucrative fraud on returned overseas Chinese and forces Ah-yin to pledge herself in paying off her father's debts. Money, who has all kinds of tricks up her sleeve, teams up with Tai and gives Mo and Fong their comeuppance before setting off on her next mission.

Lau Mung-mui chances on To Lai-leung and their encounter transcends to a rendezvous in their dreams. They admire each other, but they do not know each other's names and addresses. They keep on thinking of each other and decide to take each other as their future husband and wife. Mui's father wants his son to get married, but he pays no attention to his father's wishes. Mui leaves home to look for Leung. Leung's father forces his daughter to marry her rich and powerful cousin. Leung becomes despondent and dies, following an arranged marriage with her cousin. Mui sought everywhere for Leung for three years, but to no avail. He locates the home of Leung, but the household has moved out. The house is guarded by an old servant. Mui, chasing Leung's spirit, has a brief romance with her. Acknowledging that their union will be hindered by their incompatibility as a mortal and a spirit, Leung reincarnates as a mortal so that their love may be rekindled.

Kam Fan and Wong Ching-ping have a peaceful married life, until Ping's mother is serious ill. They desperately need a large amount of money. Fan tries in vain to raise money, he thus intends to use their daughter's school fees for the medical fees. Ping is against it and works as a song girl to earn money for her mother's medical expense. Her grudging husband Kam Fan uses a bed sheet to partition the bedroom into halves and even demands a divorce. After some mediation by their lawyer and neighbours, Wong finds a teaching job at an orphanage, but Fan still opposes it. Ping is so angry that she moves to live in the dormitory of the orphanage. Fan has to look after their daughter alone, making everything a mess. Later, their daughter catches a cold and has a high fever after an outing with Fan. Ping cannot set her mind at rest and goes home to take care of her daughter. The loving couple reconciles, for the sake of their daughter.

"Family" (1953), which launched the Union Film legacy, "Spring" (1953) and "Autumn" (1954) are adaptations of Ba Jin's highly regarded novel "Torrent Trilogy". In "Family", director Ng Wui skilfully condenses the voluminous first part of the novel into an emotionally powerful and intellectually focused story of youngsters struggling to survive oppression and repression in a feudalistic family. This well-received film quickly established the company's reputation.

A prodigal son is married to a woman his mother dislikes. The wife is then expelled from the family circle and forced to become independent.

Fong Yim-fun puts on a tour de force as an ill-fated woman, separated from her lover through an arranged marriage to the terminally ill and impotent son of a warlord. The power struggle within the family led to an inevitable murderous consequence. Seven years later, the heroine's ex-lover, now an ambitious detective, is keen to solve this almost forgotten case, only to discover that he is also part of the enigma.

Fong Yim-fun puts on a tour de force as an ill-fated woman, separated from her lover through an arranged marriage to the terminally ill and impotent son of a warlord. The power struggle within the family led to an inevitable murderous consequence. Seven years later, the heroine's ex-lover, now an ambitious detective, is keen to solve this almost forgotten case, only to discover that he is also part of the enigma.

After spending seven years apart due to warfare, childhood sweethearts meet each other again and fall in love, yet tragic fate awaits.

Two people have a one-night stand.

The film is divided into seven episodes, each episode directed by a different director. The film was selected as one of the top hundred Chinese films by film historian Du Yunzhi (HKFA).

Hong Kong drama.

Hong Kong drama.