Sara Cwynar
출생 : , Vancouver, Canada
약력
Sara Cwynar is a contemporary artist who works with photography, collage, installation and book-making. Cwynar was born in Vancouver, Canada in 1985 and currently lives and works in Brooklyn, New York.
A dynamic configuration of images and videos overlaid with musings on human existence.
Set Decoration
A dynamic configuration of images and videos overlaid with musings on human existence.
Director of Photography
A dynamic configuration of images and videos overlaid with musings on human existence.
Cinematography
A dynamic configuration of images and videos overlaid with musings on human existence.
Writer
A dynamic configuration of images and videos overlaid with musings on human existence.
Editor
A dynamic configuration of images and videos overlaid with musings on human existence.
Director
A dynamic configuration of images and videos overlaid with musings on human existence.
Editor
Cinematography
Director of Photography
Writer
Director
Editor
Upcoming Sara Cwynar Project
Writer
Upcoming Sara Cwynar Project
Director of Photography
Upcoming Sara Cwynar Project
Director
Upcoming Sara Cwynar Project
Upcoming Sara Cwynar Project
Cinematography
Upcoming Sara Cwynar Project
Director
Upcoming Sara Cwynar Project
Director
Barneys' closing sale.
Director
Digital video, 24:14min, looped
Editor
Digital video, 21:35min, looped
Director of Photography
Digital video, 21:35min, looped
Writer
Digital video, 21:35min, looped
Digital video, 21:35min, looped
Director
Digital video, 21:35min, looped
Director
The film captures the process of pantyhose making at an unnamed Italian factory.
Director
installation
Director
Director
Is finding the perfect matt red lipstick something women should aspire to? Red Film reveals and critiques the persuasive capitalist machinations directed at women to conform and consume. A flurry of quotations from the world’s foremost thinkers address the color-coding of mass-produced consumer goods such as cosmetics, shoes and the red muscle car. All the while, Cwynar hangs upside down turning blue in the face from telling the story over and over again.
Editor
Beginning with the commercial production of color in makeup factories, printing plants and fake flower production facilities and then opening up from there to other ideas about truth, perception and standards for women.
Writer
Beginning with the commercial production of color in makeup factories, printing plants and fake flower production facilities and then opening up from there to other ideas about truth, perception and standards for women.
Director
Beginning with the commercial production of color in makeup factories, printing plants and fake flower production facilities and then opening up from there to other ideas about truth, perception and standards for women.
Brightly hued and sonically dense, Sara Cwynar's Rose Gold is a richly layered reflection on the relationship between colour, technology, material objects, and desire elicited from the talismanic powers of the Apple Rose Gold iPhone.
Writer
Brightly hued and sonically dense, Sara Cwynar's Rose Gold is a richly layered reflection on the relationship between colour, technology, material objects, and desire elicited from the talismanic powers of the Apple Rose Gold iPhone.
Editor
Brightly hued and sonically dense, Sara Cwynar's Rose Gold is a richly layered reflection on the relationship between colour, technology, material objects, and desire elicited from the talismanic powers of the Apple Rose Gold iPhone.
Cinematography
Brightly hued and sonically dense, Sara Cwynar's Rose Gold is a richly layered reflection on the relationship between colour, technology, material objects, and desire elicited from the talismanic powers of the Apple Rose Gold iPhone.
Director of Photography
Brightly hued and sonically dense, Sara Cwynar's Rose Gold is a richly layered reflection on the relationship between colour, technology, material objects, and desire elicited from the talismanic powers of the Apple Rose Gold iPhone.
Director
Brightly hued and sonically dense, Sara Cwynar's Rose Gold is a richly layered reflection on the relationship between colour, technology, material objects, and desire elicited from the talismanic powers of the Apple Rose Gold iPhone.
Director
Projected on video, Soft Film combines elements of Sara Cwynar's composite photography and her publications within the traditions of the experimental essay film and performance video. She is interested in how objects circulate via the Internet, in the lives they have now that they could not have lived before. In the film, the artist collects, arranges, and archives her eBay purchases of dated objects according to a logic based upon color, material, vintage, and use.
