Aniello De Angelis

Aniello De Angelis

출생 : 1992-03-23, New Orleans, Louisiana, USA

약력

Aniello De Angelis is an avid film and pro-wrestling lover.

프로필 사진

Aniello De Angelis

참여 작품

Four Pillars of Heaven
Editor
The energy, sensations, and signature colors of 1990s All Japan Pro Wrestling coalesce and explode within a vibrating, flickering, memory-like time capsule of the first ever Triple Crown victories of the Four Pillars of Heaven: Mitsuharu Misawa (green), Toshiaki Kawada (yellow), Akira Taue (red), & Kenta Kobashi (orange).
Four Pillars of Heaven
Director
The energy, sensations, and signature colors of 1990s All Japan Pro Wrestling coalesce and explode within a vibrating, flickering, memory-like time capsule of the first ever Triple Crown victories of the Four Pillars of Heaven: Mitsuharu Misawa (green), Toshiaki Kawada (yellow), Akira Taue (red), & Kenta Kobashi (orange).
AWESOME BOMB
Editor
From 1995 to 2005, Mike Awesome and Masato Tanaka waged war across the globe in one of professional wrestling's greatest rivalries. AWESOME BOMB incorporates Tanaka and Awesome's twelve singles matches from FMW and ECW in an effort to study their movement over time, culminating in a balletic and violent ghost film in which the participants dance around, into, and through one another. A perpetual gladiatorial battle trapped within time; the warriors desperate to break free.
AWESOME BOMB
Director
From 1995 to 2005, Mike Awesome and Masato Tanaka waged war across the globe in one of professional wrestling's greatest rivalries. AWESOME BOMB incorporates Tanaka and Awesome's twelve singles matches from FMW and ECW in an effort to study their movement over time, culminating in a balletic and violent ghost film in which the participants dance around, into, and through one another. A perpetual gladiatorial battle trapped within time; the warriors desperate to break free.
Dominion/Destruction
Editor
The third film in the seasonal cycle: winter. The home changes.
Dominion/Destruction
Cinematography
The third film in the seasonal cycle: winter. The home changes.
Dominion/Destruction
Director
The third film in the seasonal cycle: winter. The home changes.
Crime Scene
Producer
A structuralist slow-burn investigation thriller. In a high-class neighbourhood in Rio De Janeiro a young woman is murdered. Detectives are contacted but the killer continues around.
No Body
Oliver
A dialogue between the body and the spirit.
No Body
Cinematography
A dialogue between the body and the spirit.
No Body
Editor
A dialogue between the body and the spirit.
No Body
Writer
A dialogue between the body and the spirit.
No Body
Director
A dialogue between the body and the spirit.
Selfish Son
Producer
An up-and-coming television actor relapses and holes themselves up in their Brooklyn apartment as they encounter a revolving door of characters.
Selfish Son
Writer
An up-and-coming television actor relapses and holes themselves up in their Brooklyn apartment as they encounter a revolving door of characters.
Selfish Son
Director
An up-and-coming television actor relapses and holes themselves up in their Brooklyn apartment as they encounter a revolving door of characters.
Selfish Son
Sonny
An up-and-coming television actor relapses and holes themselves up in their Brooklyn apartment as they encounter a revolving door of characters.
Emerald Flowsion
Editor
A study on duration within wrestling and the ways it reflects cinema.
Emerald Flowsion
Director
A study on duration within wrestling and the ways it reflects cinema.
Dear Lover
Producer
A baptism of love.
Dear Lover
Director of Photography
A baptism of love.
Dear Lover
Editor
A baptism of love.
Dear Lover
Director
A baptism of love.
Weeble Wobbles
Cinematography
All that was felt and seen throughout a healing and restorative psychedelic journey.
Weeble Wobbles
Editor
All that was felt and seen throughout a healing and restorative psychedelic journey.
Weeble Wobbles
Director
All that was felt and seen throughout a healing and restorative psychedelic journey.
Normally, This Is Bearable
Producer
Always looking for the nicest part of your day.
Scar Tissue
Editor
An examination of the feud between John Wayne Murdoch and Orin Veidt.
Scar Tissue
Director
An examination of the feud between John Wayne Murdoch and Orin Veidt.
New Beginning
Nello
The second cycle of a new life.
New Beginning
Writer
The second cycle of a new life.
New Beginning
Editor
The second cycle of a new life.
New Beginning
Director
The second cycle of a new life.
Kobashi Lives
Editor
A found footage experiment that examines the parallels between John Carpenter's They Live and professional wrestling.
Kobashi Lives
Director
A found footage experiment that examines the parallels between John Carpenter's They Live and professional wrestling.
Tsukamoto's Haze
Writer
A cine-essay about rehabilitation and forgiveness.
Tsukamoto's Haze
Director
A cine-essay about rehabilitation and forgiveness.
Tsukamoto's Haze
Editor
A cine-essay about rehabilitation and forgiveness.
Tsukamoto's Haze
Director of Photography
A cine-essay about rehabilitation and forgiveness.
Sakura Genesis
Editor
A new love, new home, new life.
Sakura Genesis
Cinematography
A new love, new home, new life.
Sakura Genesis
Writer
A new love, new home, new life.
Sakura Genesis
Director
A new love, new home, new life.
Sakura Genesis
Him
A new love, new home, new life.
Encounters in Light
Producer
Encounters in Light is the poetic documentation of two artists, friends, and lovers. The film eschews any biographical structure and instead looks at the ways these two artists are bound by time and light. Lawrence Jordan and Joanna McClure have extensive bodies of work between them. The film interweaves Joanna’s poetry, Lawrence’s films, personal interviews, and emotive imagery to produce a sensory engagement with a long lasting friendship and artistic practice. An understanding of mortality is ever present and the film let’s that feeling permeate throughout. How does one relate to years of love, friendship, and art? How does it resonate in the present moment? In the film, there is a sense of boundlessness and understanding that indeed, time dissolves all boundaries until there is only the possibility of light.
Goodbye Friend
Director of Photography
Ascent, for Eli.
Goodbye Friend
Director
Ascent, for Eli.
Goodbye Friend
The Man
Ascent, for Eli.
Wasp Nest
The Man
A non-linear portrait of healing.
Wasp Nest
Editor
A non-linear portrait of healing.
Wasp Nest
Director of Photography
A non-linear portrait of healing.
Wasp Nest
Director
A non-linear portrait of healing.
Scene Thirty-six
Sonny
Three men trapped in an infinite time loop destined to repeat themselves until they get it right.
Scene Thirty-six
Director
Three men trapped in an infinite time loop destined to repeat themselves until they get it right.
Phantom Mary
Producer
The faded and fragmented memories of a relationship that's perpetually under sedation.
Phantom Mary
Jo
The faded and fragmented memories of a relationship that's perpetually under sedation.
Phantom Mary
Writer
The faded and fragmented memories of a relationship that's perpetually under sedation.
Phantom Mary
Director
The faded and fragmented memories of a relationship that's perpetually under sedation.
I Can Hurt Myself & I Can Accomplish Things
Editor
Following a recent trauma, a man decides to pursue an alternative form of therapy in hopes of bettering himself.
I Can Hurt Myself & I Can Accomplish Things
Writer
Following a recent trauma, a man decides to pursue an alternative form of therapy in hopes of bettering himself.
I Can Hurt Myself & I Can Accomplish Things
Director
Following a recent trauma, a man decides to pursue an alternative form of therapy in hopes of bettering himself.
I Can Hurt Myself & I Can Accomplish Things
Following a recent trauma, a man decides to pursue an alternative form of therapy in hopes of bettering himself.
Nelloed
Nello
A short experimental doc on a local bar dweller and a seemingly endless night of characters.