Jay Jay Odedra

참여 작품

더 커널스 스트레이 독스
Cinematography
In 1981, seven Libyan exiles formed the core opposition group to Colonel Muammar Gaddafi. Thirty years later, they are back to their country only to inherit the mess he left. The film is an intricate blend of rare first-hand accounts, propaganda archival material turned on its head, evocative cinematography and an untold history of a country.
From Durban to Tomorrow
Cinematography
In the year 2000, mass protests led by people living with HIV in Durban, South Africa, radically transformed the global debate on human rights in health, giving rise to a series of major advances in public health for vulnerable and marginalized people the world over. Now, two decades later, many of these hard-won gains are in severe jeopardy, putting tens of millions of lives at risk. In FROM DURBAN TO TOMORROW, the stories of five courageous frontline advocates from different parts of the world lend powerful dimension to this rapidly worsening crisis and the impending battle for a meaningful, universal human right to health.
The Man Behind the Microphone
Director of Photography
An amazing story of love and family, celebrity and music. A portrait of Hedi Jouini, the godfather of Tunisian music.
피 속의 혈투
Cinematography
아프리카의 AIDS 위기를 다룬 딜런 모한 그레이 감독의 다큐멘터리. 생명을 살리는 HIV 치료제의 가격을 낮추기 위해 제약 회사들과 싸우는 활동가들의 모습을 담았다.
Migration
Director of Photography
One of a four-film series on the AIDS epidemic in India, this film examines the virus as Indian society's great class leveler, following its transmission through interweaving stories that link urban and rural India.
더 라스트 오브 더 블론드 봄쉘즈
Focus Puller
After Elizabeth's husband dies, she begins to play her tenor saxophone again, and remembers when she was 15 and a member of the Blonde Bombshells, an all-girl (with one exception) swing band. Accompanied by the exception and urged on by her grand-daughter, Elizabeth hunts up all the old members of the band and urges them to perform, and in doing so, learns more than she knew about the band, its members, the roses on the drum set, and herself--the last of the Blonde Bombshells.