Pierre, a serviceman with a strong character, goes back to his childhood housing estate to take over his dying father’s driving school. But things have changed a bit while he’s been away, and the teaching methods are very different. After a rough first encounter, Pierre has to adapt, ditch his prejudices and turn his life around
Pierre, a serviceman with a strong character, goes back to his childhood housing estate to take over his dying father’s driving school. But things have changed a bit while he’s been away, and the teaching methods are very different. After a rough first encounter, Pierre has to adapt, ditch his prejudices and turn his life around
Emilie is a bright young workaholic manager in Human Resources, working for a huge French agro-food company. But, one day, one of the employees commits suicide at the company in front of her. While an investigation is underway, stuck between her traumatized colleagues and under pressure of a powerful hierarchy, she will have to get by on her own.
A man turning 50 (Walter Faber) narrates his liaisons with three women: Hanna, who was pregnant and left him many years ago in Zurich; Ivy, who broke up with him recently in New York; Sabeth who is 20 and whom he just met on a boat to Europe. Sabeth and the narrator travel to France, Italy and Greece. But who is Sabeth? What does she feel towards the narrator? What does he feel towards her? The entire movie is shot in subjective view (we only see what the narrator sees); there are no dialogues, just his post-synchronised voice.
Spain in the mid-seventeenth century. A series of bloody wars has ravaged the nation. Don Juan the nobleman and his valet, Sganarelle, roam the countryside on horseback, on the run and lost.
