Yael Perlov

출생 : 1959-08-13, Israel

참여 작품

The Giants of Easter Islands
Editor
Two love stories develop in a world that follows traditional norms: young Zaza loves Zehava, as they bond in a magical world. The beautiful and independent Madea is in love with the charming neighborhood thug. Watching over is the patriarch grandfather, fighting to bind everyone to the old rules.
Yana
Editor
22 years after being adopted, Noa embarks on a journey to Ukraine, retracing the path her adoptive mother took to receive her. She will also approach her biological mother and try to achieve closure with the two mothers in her life.
In His Image
Editor
In His Image focuses on reproduction after death in Israel, where posthumously harvesting sperm is legal. The film follows the bereaved parents of three sons who died during military service. Using semen collected just before, or shortly after, their sons' death, they hope to have them live on in a posthumous grandchild. But can new life cure their grief?
The Last Caravan
Editor
The year is 1994. A caravan site, built by the Israeli Government for immigrants from the Soviet Union, is about to be dismantled. Ilya (9) remains to defend the caravan of his grandfather, Jenia, who refuses to be evacuated.
The Last Caravan
Producer
The year is 1994. A caravan site, built by the Israeli Government for immigrants from the Soviet Union, is about to be dismantled. Ilya (9) remains to defend the caravan of his grandfather, Jenia, who refuses to be evacuated.
My First War
Producer
At the age of 28, I was drafted as a soldier in the Second Lebanese War. Instinctively, I grabbed my video camera. The movie recalls the lack of justice in this unnecessary war and the loss of valuable lives. This was my personal earthquake and the nation as a whole. (Yariv mozer)
My First War
Editor
At the age of 28, I was drafted as a soldier in the Second Lebanese War. Instinctively, I grabbed my video camera. The movie recalls the lack of justice in this unnecessary war and the loss of valuable lives. This was my personal earthquake and the nation as a whole. (Yariv mozer)
Late Marriage
Editor
Zaza is a 31-year old Israeli bachelor, handsome and intelligent, and his family wants to see him married. But tradition dictates that Zaza has to choose a young virgin. She must be beautiful and from a good family, preferably rich. Zaza's parents, Yasha and Lily drag Zaza to meet potential brides and their families. Zaza has no choice. He plays along with his family, advocates of the suffocating traditions of their Georgian Jewish heritage. But Zaza always manages to somehow get out of being engaged. What his parents don't know is that Zaza is already in love. Judith is sensuous, strong and intriguing. She's also a divorcée with a 6-year-old daughter. So Zaza has kept Judith a secret from his family. He will have to choose between respect of the strict confines of family and tradition, or the love of his life.
쇼아
Assistant Editor
쇼아(히브리어로 '절멸'을 의미)란 2차 세계대전 당시 독일 나치가 유럽 전역에 있는 유대인을 비롯한 특정부류의 사람들을 집단 학살 한 것을 지칭한다. 감독 란쯔만은 8년간의 촬영과 350시간 분의 인터뷰를 9시간이 넘는 장편 다큐멘터리로 완성시켰다. 란쯔만은 나치 집단수용소도 아니고 하나의 전체로서의 나치체제도 아니며 하나의 과정으로서의 반유대주의도 아닌 죽음이 만연했던 구체적인 장소이며 지옥의 중추인 홀로코스트(나치 집단처형장)에 관해 논하기 위해 거의 10년 동안이나 세계를 돌아다녔다. 또한 란쯔만은 뉴스 필름이나 당시의 기록 필름을 단 한 커트도 사용하지 않고 등장 인물들의 말을 통해서만 유대인 학살을 이야기한다. 강제수용소의 생존자들, 나치 협력자들, 그리고 학살 작업에 동원되었던 사람들은 고통스럽게 그들의 과거를 카메라 앞에 드러낸다.
Diary
A film diary in which Perlov films the minutiae of his and his family's day-to-day life. From these small bits, he builds up a broad picture of life in Israel in the '70s and '80s.
The Partisan With The Leica Camera
Editor
The story of Mundek Lukawiecki and his wife Hannah Bern, who fought the Nazis with the Polish partisans and hid in the forests. Mundek not only employed his bravery and cunning, but also his Leica camera, giving a rare glimpse into the life of the partisans.