Alejandro Maci

This special will lift the curtain to showcase the work of both onscreen and offscreen talent behind the Star+ original series, “Santa Evita.” Exclusive interviews and footage will transport viewers backstage as they learn how the directors, writers, actors and actresses, and the production team brought Tomás Eloy Martínez’s novel to the small screen.

This special will lift the curtain to showcase the work of both onscreen and offscreen talent behind the Star+ original series, “Santa Evita.” Exclusive interviews and footage will transport viewers backstage as they learn how the directors, writers, actors and actresses, and the production team brought Tomás Eloy Martínez’s novel to the small screen.

María Luisa Bemberg was born into the highest echelons of Argentina’s society. Her family founded Quilmes, the nation’s biggest brewery, which expanded into a multinational. Bemberg, home-schooled by the best teachers and tutors, grew up in a social bubble. And she never made a secret of this, in as far as many of her films are set in the upper classes of different eras and narrate the politics of their respective periods through the prism of female opportunity, or the lack thereof – what could a woman do, behaviour in extramarital affairs included? Class, more often than not, was a trap, even if it might offer opportunities that many are denied. With María Luisa Bemberg: El eco de mi voz, Alejandro Maci paints a detailed and multifaceted picture of Argentina’s greatest female filmmaker, in which family and colleagues get their say as much as Bemberg herself, thanks to myriads of private and public recordings.

Enrique Hubermann, homeopathic physician, travels in flight from a love. By a joke of fate, in that distant place he meets the woman he wants to forget, a beautiful young woman like a demon who manipulates men and triggers dangerous passions.

Enrique Hubermann, homeopathic physician, travels in flight from a love. By a joke of fate, in that distant place he meets the woman he wants to forget, a beautiful young woman like a demon who manipulates men and triggers dangerous passions.

Enrique Hubermann, homeopathic physician, travels in flight from a love. By a joke of fate, in that distant place he meets the woman he wants to forget, a beautiful young woman like a demon who manipulates men and triggers dangerous passions.

This drama is based on a novel and incomplete screenplay by the late Maria Luis Bemberg. In 1930s Argentina, wealthy Sebastian (Antonio Birabent) leaves his Buenos Aires home for the family estate on the pampas. His family, concerned for his physical and mental health, arranges for Sebastian's childhood friend Juan (Walter Quiroz) to check on Sebastian's situation. Juan finds the highly erratic Sebastian caught in a doomed relationship with the Danish daughter of religious sect members. Unfortunately, Juan also becomes obsessed with the young woman, and Sebastian's suspicions increase.

This drama is based on a novel and incomplete screenplay by the late Maria Luis Bemberg. In 1930s Argentina, wealthy Sebastian (Antonio Birabent) leaves his Buenos Aires home for the family estate on the pampas. His family, concerned for his physical and mental health, arranges for Sebastian's childhood friend Juan (Walter Quiroz) to check on Sebastian's situation. Juan finds the highly erratic Sebastian caught in a doomed relationship with the Danish daughter of religious sect members. Unfortunately, Juan also becomes obsessed with the young woman, and Sebastian's suspicions increase.

이렌느는 패션잡지에서 인정받는 아름다운 저널리스트다. 그녀는 자신의 명성 때문인지 모르나 조국 칠레의 현실에는 어둡다. 이렌느의 약혼자 구스타보는 육군장교로 장성까지 넘보는 맹렬 군인이다. 두 사람은 오래 전부터 사랑하는 사이였지만 일자리를 구하러 잡지사를 찾아온 사진작가 프란체스코를 만나는 순간 이렌느는 구스타보에 대한 자신의 사랑이 거짓이었음을 깨닫는다. 이렌느와 프란체스코는 절망적인 상황 아래서도 불같은 사랑을 나누지만 이렌느의 어머니가 걸림돌로 이들의 앞을 가로막는데...

Leonor, a widow in a small South American town, gives birth to Charlotte, a dwarf. The mother not only provides a rich childhood for her daughter, she erases any clues her daughter might see that would lead her to think she is different (mother burns books such as "Snow White" and destroys lawn statues of gnomes). In short, she doesn't want to talk about it. The mother succeeds in creating a modern-day Rapunzel: Charlotte becomes an accomplished young woman who captures the heart of Ludovico. But then, the circus comes to town.

A viceroy and an archbishop take their posts in Mexico. A local nun, Sor Juana Inés de la Cruz (1651-1695), intrigues them. The viceroy and his wife find her brilliant and fascinating. The prelate finds her a symbol of European laxity. He engineers the election of a new abbess, severe and ascetic. The virreina visits Sor Juana often and inspires her to write passionate poetry that the archbishop finds scandalous. The viceroy protects her. After he is replaced and returns to Spain with his wife, Sor Juana faces envy and retribution. A bishop betrays her, her confessor humbles her. Plague, a tribunal, and her confession as "the worst of all" end the great poet's life.