Producer
Lixue doesn’t ask herself if she likes Recife. She certainly doesn’t want to ask whether her new city likes her, after being sent there to live with her aunt. Aunt Lili owns an emporium of shops for Chinese import products and lives with her family and her workers on the 22nd floor of an exclusive apartment building. Much to the disapproval of the upper-class Brazilian landlords, who think the Chinese immigrants don’t belong in the tower. When Lixue disappears from the city, Ah arrives on the scene: the first tourist in Recife in years.
Producer
Santiago, gay single father, has reached a tipping point in his life. Reeling from a bitter breakup, he is facing the impending departure of his daughter Laila, with whom he shares a close yet emotionally charged relationship. As the fear of being alone threatens to swallow him whole, his behavior becomes increasingly erratic. Over the course of a chaotic summer divided between Argentina and Brazil, Santiago must learn to let go of Laila so each can find their own freedoms.
Co-Producer
Yvan De Wiel, a private banker from Geneva, is going to Argentina in the midst of a dictatorship to replace his partner, the object of the most worrying rumors, who disappeared overnight. Between hushed lounges, swimming pools, and gardens under surveillance, a remote duel takes place between two bankers who, despite different methods, are the accomplices of a discreet and merciless form of colonization.
Co-Producer
1990년 칠레의 여름. 소규모 가족들이 안데스산맥 바로 아래에서 도시로부터 떨어져 공동체를 이루며 살아간다. 소피아, 루카스 그리고 클라라는 신년 전야 파티를 준비하면서 자신들의 부모님, 첫사랑 그리고 여러 두려움과 맞선다.
Producer
Mariano, 16, inexplicably and without warning, shoots himself twice and improbably survives. Then, life goes on. His brother pursues a romance with a girl working at a fast-food joint, his mother takes off on a trip with a stranger, and Mariano recruits a woman to join his medieval wind ensemble.
Producer
Sometimes we find ourselves walking, talking or simply looking at things. That is what the protagonists of this film do. However, inside this mystery of life, we don’t know who they are or what they do. Teddy Williams builds yet again a dense and fantasmatic universe where breezes rhyme with vacancies and to the verb to be has its full double meaning. (M. V.)
Producer
여름날의 부에노스아이레스, 나른하지만 날이 선 분위기가 감도는 집에서 세 자매 마리나, 소피아, 비올레타가 하루를 시작한다. 사실 얼마 전, 세 자매를 돌보아 주었던 할머니가 세상을 떠났다. 세 자매는 함께, 또한 각자의 방식으로 할머니의 빈자리를 채우며 삶을 이어 간다. 그러던 어느 날, 비올레타가 말도 없이 집을 떠나 버린다. 상실과 부재로 인한 혼란과 불안을 극복하며 삶의 새로운 장으로 나아가려는 세 자매의 이야기를 그리고 있다.
Producer
Biguá, a port worker, awaits a son with his young girlfriend and embarks on the high seas. Javier, at 40 years old, has a wife he loves, works, enjoys a good time; and imagines recurring dreams. Another life, with another being very different, they cross as in a magical and mysterious dream. The film revisits the theme of the double and its question: will there be, somewhere in the world, a double for each one of us? And, if it exists, what would happen if we took their life?
Executive Producer
Biguá, a port worker, awaits a son with his young girlfriend and embarks on the high seas. Javier, at 40 years old, has a wife he loves, works, enjoys a good time; and imagines recurring dreams. Another life, with another being very different, they cross as in a magical and mysterious dream. The film revisits the theme of the double and its question: will there be, somewhere in the world, a double for each one of us? And, if it exists, what would happen if we took their life?
