Jannik Tesch

Jannik Tesch

프로필 사진

Jannik Tesch

참여 작품

Pausenfüller
Thanks
A full-length homage to the early days of German television, its art and courage to leave gaps. Tests of patience in ecstasy... And perhaps also a testimony to how man has always tried to grasp his environment by means of the constant time, even if it first has to stop.
The Last to Leave Are the Cranes
Post Production Supervisor
Natalia, a young Chilean woman, comes to Europe for the first time searching for her family history. She starts a road trip through Poland together with her school friend Morín, who moved to Hamburg three years ago trying to develop her career as an actress. Between encounters and borders, not only her expectations about Europe will be challenged, but also her old friendship with Morín.
The Last to Leave Are the Cranes
Cinematography
Natalia, a young Chilean woman, comes to Europe for the first time searching for her family history. She starts a road trip through Poland together with her school friend Morín, who moved to Hamburg three years ago trying to develop her career as an actress. Between encounters and borders, not only her expectations about Europe will be challenged, but also her old friendship with Morín.
The Wrecking Balls
Director of Photography
Two construction workers in Hamburg have to deal with the residents of a skyscraper within a day - because on the one hand it is to be demolished shortly and on the other hand no one was informed about it in advance. Various disputes and strange incidents result only the tip of the iceberg, in which even the first mayor of the city is involved!
The Wrecking Balls
Kuhnert
Two construction workers in Hamburg have to deal with the residents of a skyscraper within a day - because on the one hand it is to be demolished shortly and on the other hand no one was informed about it in advance. Various disputes and strange incidents result only the tip of the iceberg, in which even the first mayor of the city is involved!
Be There
Editor
Alain, the architect, lives secluded in his luxurious finca in the outback. He solely wears women's clothes und avoids any contact to people. When he's forced to break out, neither the outside world nor his inner world seem to be ready.
Be There
Cinematography
Alain, the architect, lives secluded in his luxurious finca in the outback. He solely wears women's clothes und avoids any contact to people. When he's forced to break out, neither the outside world nor his inner world seem to be ready.
Release
Director
Are we as human beings any longer able to live in the world we built for ourselves or do we have to go back to our roots to be happy? A young man settles out to a journey into wildest nature in search for an answer.