María Paz González

It’s Christmas season. Ten years have passed since Lina traveled to Chile to work as a domestic worker away from her son who lives with her grandmother in Peru. Manuel, a former employer, ask her to supervise the construction of a swimming pool for his daughter Clara in his new house. In this half-inhabited space, Lina spends the day taking care of Clara, while at night, she has furtive sexual encounters with strangers that confront her with her deep solitude.

It’s Christmas season. Ten years have passed since Lina traveled to Chile to work as a domestic worker away from her son who lives with her grandmother in Peru. Manuel, a former employer, ask her to supervise the construction of a swimming pool for his daughter Clara in his new house. In this half-inhabited space, Lina spends the day taking care of Clara, while at night, she has furtive sexual encounters with strangers that confront her with her deep solitude.

It’s Christmas season. Ten years have passed since Lina traveled to Chile to work as a domestic worker away from her son who lives with her grandmother in Peru. Manuel, a former employer, ask her to supervise the construction of a swimming pool for his daughter Clara in his new house. In this half-inhabited space, Lina spends the day taking care of Clara, while at night, she has furtive sexual encounters with strangers that confront her with her deep solitude.

Recording the everyday was always a way of relating to the world. One night the rape occurred and everything changed, although the recording continued. By revisiting these images a dialogue between light and darkness emerges, while strangeness remains before the world.

The Amateur Soccer Referee Federation has a new board of directors, who face the challenge of renewing their image after a 90-year history. But these leaders receive a broke organization and headquarters that are in precarious conditions. They have also aged, but have nothing to lose and will work together to reinvent themselves.

One morning in June 2005, the guards of the National Museum of Fine Arts of Chile, noticed that a millionaire Auguste Rodin sculpture had been stolen. 24 hours after the event a shy art student returns the piece arguing that he had stolen it as part of an artistic project. A documentary that explores the dilemmas of the artist and contemporary art.

Traces the lives of the Hartings, a blind Montreal family of three who make their living singing in the city's subway stations. The Hartings lost their only sighted child Hassan in a tragic drowning accident, and have since turned to the teachings of Russian mystic Grigori Grabovoi, hoping to resurrect their son. Resurrecting Hassan is an exploration of this family's legacy of grief, tragedy and abuse; the film will follow them on their path to redemption.

A photograph of an unknown Mapuche great-grandmother is the starting point of this documentary essay. Through the analysis of said picture, conversations with family members, a trip to southern Chile cities, and an actress who re-enacts the photo, we see the existing prejudice against indigenous people.

5명의 노부인들은 고등학교를 졸업한 이래, 60년 넘도록 매달 함께 차 마시는 모임을 계속 이어오고 있다. 각자 성격은 딴판이지만, 오랜 세월을 함께 하면서 서로를 깊이 이해할 수 있는 관계가 된 것이다. 함께 지나간 시절을 추억하고, 최근 일에 대한 이야기를 나눈다. 젊음과 나이 듦, 우정, 그리고 지나간 것들에 대한 솔직하고 유쾌한 수다로 가득한 다큐멘터리.

PROPAGANDA is a follow up to the 2013 presidential campaign, in the midst of major social unrest in recent years. A single-car caravan crossing the desert, a protest flag covers the entire Alameda a candidate copuchea surveys on a dressing room. PROPAGANDA proposes a visual journey through the most extraordinary places of election, inviting reflection on the complex relationship between politicians and citizens, through the eyes of several filmmakers in the country.

An inside look of Chilean education from six teachers' point of view.

A journey where lies become reality and where the reality takes the shape of a film: that of a documentary road movie based on imaginary facts

A journey where lies become reality and where the reality takes the shape of a film: that of a documentary road movie based on imaginary facts

A journey where lies become reality and where the reality takes the shape of a film: that of a documentary road movie based on imaginary facts

A journey where lies become reality and where the reality takes the shape of a film: that of a documentary road movie based on imaginary facts

Jerónimo is an antisocial local man who rents rooms in his home to expats so he can snoop around their belongings. One day Sanna arrives, a girl who will change Jerónimo’s life. They start getting closer until Jerónimo discovers that Sanna is hiding something in his house.

At the dawn of February 27, 2010, an 8.8 earthquake and tsunami devastated the central zone of Chile. That day, the history of Constitución -a small coast and forestall city- changed forever. Its tragedy turned the city into the centre of international news and its people, the Mauchos, into the protagonists of a difficult process of reconstruction. This is the story of how the Mauchos started to reform their lives and returned to the sea.

Hardy makes a living selling knickknacks on chilean buses. But a Government announcement worries him. We will soon be a World Class country, we will have a modern and elegant public transportation system, so we will tolerate his job no longer. He gathers two thousand colleagues and together they struggle to survive modernity.

Hardy makes a living selling knickknacks on chilean buses. But a Government announcement worries him. We will soon be a World Class country, we will have a modern and elegant public transportation system, so we will tolerate his job no longer. He gathers two thousand colleagues and together they struggle to survive modernity.

수도사 이그나쵸는 요리와 환자 심방 외엔 주어지는 일거리가 없는 수도원의 미운 오리다. 어린 시절부터 레슬링을 좋아한 그는 꿈을 이루기 위해 거리에서 만난 에스켈레토와 2인조 팀을 이뤄 레슬링의 세계로 들어선다. 그러나 레슬링을 사악한 것으로 생각하는 수도원의 상황은 수도사인 그를 구속하고, 그의 간절한 바람에도 불구하고 영웅 람세스처럼 뛰어난 프로 레슬러가 될 가능성은 희박해 보인다. 마침내 인기와 명예보다 수도원의 고아들을 위해 레슬러의 길을 걷기로 한 그에게 사랑하는 수녀 엥카나시옹은 남을 도우려고 싸운다면 주님의 축복이 있을 것이라고 말해준다.

Three different ways of facing the apocalypse five hours before the end of the world. fantastic and romantic moments of love, an anxious waiting time and the desperate search for pepper in an apocalyptic and crazy world. Events cross and mix. Time seems to get beyond control.How does one live out the last five hours and 38 minutes before the end? We see the last. /// A cinco horas del fin del mundo, se plantean tres maneras diferentes de afrontar el apocalipsis.

Cruz is an actress who has dedicated her career to play different roles for medical students in college. She is a simulated patient who performs emotions and ailments in front of young doctors who are confronted to unknown realities for them. One night, while she is jogging in the gym inside the building where she lives, Cruz witnesses a body falling from above. But instead of helping the victim, she keeps jogging. Her lack of reaction is recorded by a security camera, and is later questioned by the police. Unable to explain what happened and confronted by the unexpected death of an unknown person, Cruz realizes how her life seems to have been disconnected from all natural impulses, doubting about her reactions, her job and above all, her own affections.