Director
Years of war and ethnic conflict in the Sudan have created a generation of young men, known as the "Lost Boys," who have spent more years in refugee camps than in their home communities. This intimate film recounts the story of Benjamin and William Deng, brothers joined in the struggle of a seemingly never-ending exile, who are then separated when one is accepted into a United States resettlement program while the other remains in a Kenyan refugee camp. It is not only a film about the two brother's dreams and reality, it is also a film about war and suffering in their beloved South Sudan, lost childhood and innocence, the trials of life as a refugee in foreign lands and the existing realities of survival. Real life in the so called "Land of dreams" – America, is not an easy adjustment.
Director
Ten years after shooting Kafi's Story, British filmmaker Arthur Howes reentered the Sudan clandestinely to find out what had happened to the Nuba of Torogi. Everywhere, he encountered the face of jihad, or holy war. For example, a remarkable television program, Fields of Sacrifice, celebrates that week's casualties in the war against the Nuba and features family members thanking Allah for having taken their sons and brothers as martyrs.
Director
Shot between 1986 and 1988, Kafi's Story captures Nuba life at the moment before it was engulfed in the Sudanese civil war. Kafi, a young man from the Nuba Mountains in Sudan, is one of the first to travel north to the capital city Khartoum in search of money. Only when he has money can he buy the cloth for a dress and so marry a second wife.
Cinematography
Gibraltar as a real place – and an imagined geography and history. In the first part, the camera travels around West Berlin picking out touristic monuments and describing them in terms of their significance to military history… In the second half (in which the commentary also charts the escalation of land frontier sea and air restrictions), a ferry leaves a quayside and sails into the open Strait. It is an image of freedom but also a melancholy image of parting.
