Susan Rinell

Anthony Caruso, an old friend of Perry Mason, comes to Denver on the request of Dee Morrison. She's married to famed photographer David Morrison, who wants to shoot a photo featuring his former models. The tricky thing is that all of his former models are also his former wives. But Dee knows Anthony can convince them to do it which he does. And David shoots them. Later Dee catches David it what appears to be in an inappropriate situation with his assistant. They have an argument and she leaves. Later David is found dead and she's arrested and Anthony defends her. And he suspects it could have been one of the wives

Underneath this nice sleazy-looking box art that has absolutely nothing to do with the films, comes this cool & bizarre little Horror/Thriller anthology thingy called Final Destinations, featuring 4 different macabre tales with “the road” being a general theme, as they all have some driving or vehicles involved in the stories. Playing out like the Twilight Zone or a “Tales From... “ with plenty of black humor in the mix, they're all actually pretty interesting and quite well-made considering the small budgets I imagine the filmmakers were working with.

Two retired fishing buddies stumble on an unmarked suitcase filled with three million dollars in cash. Then the fun starts flying as fast as bullets.

Holly and Sandy strike up an instant friendship; they don't know however that they have more in common than they'd like. When tragedy strikes, their relationship is tested.

A highly respected and revered baseball coach has been accused by a female student of conducting some kind of research that borders on sexual molestation. When her parents decide to report him to the authorities. They are held in contempt, because the community can't believe that this wonderful man could do the things that they are accusing him of.

Aliens! Junkyard hoes! This highly varied anthology of whacked out stories, some of which have no real dialogue, pretty much all of which will leave you wondering what the hell is going on. Most have really cool music that sets the mood, some genuinely creepy moments and good atmosphere throughout. The first story, "The Visitant", features a man in a cemetery visiting his dead son's grave after he died in a car accident. He is soon tormented by visions of his son, as well as other spirits, including an axe-wielding ghoul! The second story, entitled, "Desire In A Public Dump", starts out with a man in a junkyard fixating on a paper with an attractive woman on it. The picture then disappears, and the woman is suddenly in front of him!

Eighties teen romp involving Bill and his new apartment, Jim and his rebellious antics, Tom and his crazy self, and Anita with her older man David.

몬타나의 농장에 사는 열두살난 아놀드(Arnold Hillerman: 제이슨 프레슨 분)는 형 유진(Eugene Hillerman: 딘 케인 분)과 아침 일찍 오리 사냥을 나갔다가 총이 철조망에 걸려 발사되는 바람 에 형을 죽이고 만다. 이 끔찍한 사고는 아놀드에게 책임이 지워지게 되고, 소년은 쇼크를 받아 '돌처 럼 딱딱하게 굳어져' 자신의 내면 속으로 침잠해 들어가 버린다. 졸지에 장남을 잃어버린 아버지 조(Joe Hillerman: 로버트 듀발 분)는 슬픔을 느낄 여유조차 없이 가족을 치유하고 아들과 화해하는데 필요한 힘을 모아야 하지만 자신도 이해할 수 없는 상황에 갇혀 허우적거릴 뿐이다. 가족들은 자신들의 슬픔 뿐 아니라 아놀드에 대한 숨겨진 원망도 극복해야 한다. 소외감을 느끼는 아놀드는 부모들이 기대하는 정도로 슬픔과 죄책감을 표현할 수가 없다. 단지 부드럽 고 현명한 할아버지만이 유일하게 아놀드의 마음을 이해하고 그의 마음을 열려고 노력한다. 할아 버지의 노력으로 아놀드는 차츰 마음을 열어가는데...

A seemingly perfect marriage disintegrates, as both husband and wife become involved in a series of affairs.

A graveside visit turns out to be a never-ending nightmare for a grieving father. Restless spirits and ghastly visitations materialize in the cemetery as if to warn the man of some impending doom.