Aslı Dadak

참여 작품

Invisible to the Eye
Co-Producer
The same route after three and a half centuries... A creative documentary following the footsteps of the Ottoman-Armenian intellectual and traveler Eremya Celebi Komurciyan into the cosmopolitan Istanbul of the 17th century. Long before the invention of cinema, Komurciyan situates himself as a subject who observes the city of Istanbul as if he had a camera in hand. Borrowing Komurciyan’s timeless cine-eye, we delve into contemporary Istanbul to capture what is “inaccessible to the human eye” through the remnants of his route.
Dust Cloth
Art Direction
Nesrin and Hatun are two Kurdish cleaning women living in Istanbul. While Nesrin tries to survive with her little daughter, trying to understand why her husband left her, Hatun dreams of buying a house in the district where they clean.
푸른 물결
Art Direction
대학 입학을 앞둔 데니즈는 종교를 포함한 기성 세대의 생활 방식에 불편함을 느낀다. 데니즈는 친구들과 함께 미래에 대한 걱정을 나누거나, 파티에서 즐거운 시간을 가지며 일상을 보내고, 그때마다 데니즈의 표정은 고민과 희망, 들뜸과 슬픔을 숨김없이 드러낸다. 튀르키예 청년들의 일상과 고민을 여성의 눈을 통해 섬세하게 묘사한 작품. 2014년 베를린영화제 크리스탈베어 부문 상영.
푸른 물결
Costume Design
대학 입학을 앞둔 데니즈는 종교를 포함한 기성 세대의 생활 방식에 불편함을 느낀다. 데니즈는 친구들과 함께 미래에 대한 걱정을 나누거나, 파티에서 즐거운 시간을 가지며 일상을 보내고, 그때마다 데니즈의 표정은 고민과 희망, 들뜸과 슬픔을 숨김없이 드러낸다. 튀르키예 청년들의 일상과 고민을 여성의 눈을 통해 섬세하게 묘사한 작품. 2014년 베를린영화제 크리스탈베어 부문 상영.
Karnaval
Art Direction
36-year-old Alis starts living in his car after his father kicks him out of the house. He shaves on the street, eats the food his mother brings over to his car, and applies to job adverts that his mother marks in the newspaper for him. After a series of rejections, he finds himself working door-to-door marketing Karnaval brand carpet cleaners. An unusual bond forms between Alis and "Karnaval". Karnaval even moves in with Alis occupying the front seat of his car. In this new adventure of his, Alis meets a wedding cake-maker named Demet. She lives with her father ever since her mother's death, and dreams of hopping on her motorbike and moving to Istanbul where she would open up a bakery shop