Yoni Goldstein

참여 작품

Demon Mineral
Cinematography
A portrait of life in the radioactive desert on the Navajo Reservation. Spanning a landscape perforated by orphaned uranium mines in Arizona, New Mexico, and Utah, the film follows a group of indigenous scientists, elders, and activists as they work to protect a vital living space on contaminated land.
브라질리아, 기계적 유토피아
Director
브라질의 외딴 황무지 한가운데 있는 우주적 꿈과 신비한 건축물에 대한 다큐멘터리. 4명의 인물들로 구성된 새로운 형식의 다중 텍스트를 통해 영화는 초디자인의 우주 시대 도시 브라질리아에서부터 UFO 숭배, 정신주의 사원, 유토피아적 전초지의 드넓은 번영의 풍경으로 옮겨간다.
Arrow
Director of Photography
Two stories are interconnected in this brief film: Mike, a teenager at Wisconsin Museum of Music, is surrounded by Native American collectibles. Elsewhere, Winfield, a young Native American dancer, bids farewell to his community.
The Joy of Extreme Possibility
Director of Photography
Work in progress.
Baron In The Trees
Cinematography
The Baron in the Trees is a short narrative film about a pair of identical twins: one of them is playing a role in a children’s theater and the other one is a spectator of theshow. The identical appearances and different behaviors create a motif for the film. Along with Anahita’s previous short films When the Kid was a Kid and Needle, The Baron in the Trees will be the last piece to a trilogy of short films with young protagonists. Growth, gender-identity and family dynamics are the main themes of this trio.
Lessons on Leaving Your Body
Director of Photography
Jake Wells, a professional tattooist, DIY drone builder, FPV flight hobbyist, and possibly the world’s first RC (Remote Control) Christian Minister, shares some of his stories and ideas regarding the connection between religion, drone technology and his personal struggles. While flying, crashing and repairing his homemade drone in the area around his home in the Olympic Peninsula on the northwest tip of the USA, he recounts the story of his techno-spiritual awakening, from a life in which he felt remotely controlled by other forces, to his current state, in control, preaching and flying. Footage of Wells observing himself from the drone’s point of view using FPV gear, and shots reminiscent of romantic landscape paintings depicting the wider wilderness setting in which he resides, are woven together with monologues based on Wells’ own brand of theology, concerned with the connection between FPV flight, out of body experiences and the nature of the soul.