Director of Photography
An in-depth analysis of the relationship between New Wave pioneers François Truffaut and Jean-Luc Godard, as seen through rare archival footage, interviews, and film excerpts — written and narrated by former Cahiers du Cinéma editor Antoine de Baecque.
Cinematography
A Senegalese storyteller travels to Belgium and observes the lives of African expatriates in Europe. Dreams and struggles great and small are explored.
Cinematography
Documentary on one of 20th century greatest photographers, the French Robert Doisneau.
Cinematography
Alain and Yves Dognin, 54 year old twins, live with their parents in a dilapidated apartment that seems to have stopped in time. Alain paints brightly colored canvases while Yves listens to music. Their day is punctuated by mass, medical care and meals. Episode of "Strip-tease", a Franco-Belgian documentary TV series.
Cinematography
The film is a free adaptation of a travelogue by Victor Segalen. In 1905, the writer described in “Les immémoriaux” the passage from the Maori world to another evangelized world. Marc Giannesine in an article published in Le Monde in 1987 wrote: “But beware, the adventure according to Segalen is a total change of life, of skin. For him, it is not a question of superficially aping the customs of the Maori, but of stripping his own culture in mind to better feel that of others. It is exoticism in the purest sense of the term, as Baudelaire understood it, an art of correspondences between the most diverse things. Henri Hiro, emblematic figure in the Pacific, of the defense of his culture, goes back in time for us by following the text of Segalen.
Director of Photography
레티는 쉴 새 없이 부는 바람을 뚫고 사촌이 사는 텍사스로 간다. 기차에서 만난 로디는 바람은 여자를 미치게 만든다며 레티를 겁주면서도 그녀를 유혹한다. 도착 후, 로디는 레티에게 다시 만날 것을 약속하며 떠나고, 레티는 마중 나온 사촌의 이웃 리게와 목장으로 향한다. 모두들 레티를 반기지만, 사촌의 아내 코라만은 레티를 탐탁잖게 여기고, 레티를 쫓아내려 한다. 스웨덴 출신으로 무성영화시대 최고의 감독 중 한 명인 빅터 쇠스트롬과 완벽히 절제된 연기로 무성영화시대의 여신이라 불리는 릴리언 기쉬가 함께 작업하였으며, 두 사람의 마지막 무성영화이자 쇠스트롬의 대표작이다. (2011년 시네마테크부산 - 월드시네마 VIII)
Cinematography
A young manager of a factory encounters a man walking along a road who says his family traditionally are servants to the manager's family. The manager offers him a job, and as he watches out for the other man's welfare, begins to see how the company mistreats its workers. The manager is challenged between his ethics and the pressure from others to protect his own interests as dire problems surface at the factory
First Assistant Camera
This rambling political melodrama tells the story of a French Breton who learns about colonialism while teaching native students in France's colonies of Tunisia and Algeria and returns to his native Brittany to see that the same conditions prevail there.
