Director
"Originally focused on exploring the non-content language-soup of social media (with help from programmer/researcher Achim Koh), this iteration of Andra8’s existence is more narrative, with an actual identity growing from influencer primordial data. Subsisting on shakes supplied by subscribers, performing menial tasks trapped in a setting as much to project out as live in, and constantly self-promoting in companionate couching, Andra8’s situation will feel familiar to those reliant on and resentful of the gig economy we’re trapped in." - Screen Slate
Director
Cult-produced media and religious iconography crash in this heterogenous essay film.
Art Direction
런던으로 떠나기 전, 뜨거운 눈물을 삼키며 남친 '벤'과 헤어진 '다이아나' 그로부터 3년 뒤, 작가의 꿈을 이루기 위해 다시 뉴욕 땅을 밟게 되고 알뜰살뜰하게 입주한 아파트가 하필 전 남친의 윗집이다. 서로에게 아름다운 이웃으로 남는 것이 정답이라 생각했지만 전 남친의 현 여친의 질투부터 소음 공해, 택배 사고까지! 아파트 입주자이자 전 여친으로서 따져야 할 것들이 한 트럭인데… 전남친, 피하고 싶지만 자꾸 보고싶다! 2019년 1월, 썸도 리콜이 되나요?
Director
Collaboration with sound artist Hemant Sreekumar. The piece was recorded in a single take, using found footage, two live camera feeds, live analog video manipulation, and a synthesizer connected to a wobbulator.
Director
A found footage work which compares the parallel cinematic language of dessert commercials with that of ‘disaster porn’ found in the news and on the Internet.
Director
A collage of blown-out, re-appropriated footage of lens flare from contemporary American advertisements. The piece is a critique of and meditation on visual codes for authenticity and spirituality used in white-dominated mass media.
Director
Short investigation of light and color, shot on Super 8mm.
Director
A woman’s face surfaces in and out of a white, contextless space. Repeating an action in which she turns and distorts her face before the camera, the piece centers on a spectral performance of identity within the material life of the film.
