Lam Wah-Chiu

포청천 전조 "하가경"의 영화 데뷔작

젊고 멋진 검객 봉서오가 사망과 실종의 소문을 조사하기 위해 아름답지만 죽음의 장소인 천염야월에 도착한다. 치터를 연주하는 아름다운 젊은 여인이 그를 막으며 떠나라고 경고한다. 그는 거절하나 곧 오래전에 죽어 유령이 된 그녀의 어머니에게 공격당한다. 18년 전 그녀와 그녀의 동료, 일본 사무라이 집단이 중국 검객에 의해 피살 되자 유령은 중국 무술계와 그녀를 배신한 남편인 검객 남전옥에 대한 복수를 맹세했다. 그녀의 딸이 서오의 탈출을 도와 도교 사제의 치료를 받게 하나 유령은 자신을 해친 사람들의 후손들을 파괴하며 무술계에 공격을 시작한다. 남전옥은 도교 사제와 소림 승려와 연합해 유령과 대적 하지만, 그녀의 힘이 너무 강해, 자의상인으로 알려진 영적 도사를 칠신과 함께 부른다. 봉서오와 남전옥은 유령을 따라 지옥으로 가 저주를 끝낸다.

The main characters - the arrogant, harassed director, the sexy starlet, or naïve actors are familiar enough stereotypes. Along the way however, there is some fun to be had as more humorous incidents occur on the sound stage, together with dashes of nudity. Some of the events are presumably inspired by real life experiences, others have a distinct air of wishful fabrication. The over-the-top Kung Fu star, deserted by director and crew as he goes through his pointless extended routine, for instance. Or the action heroes, sweating in furs while they dutifully munch through their meal scene, 'snow' falling outside in studio land.

The movie is about an illegal salt smuggling ring run by Tanny and her male partner, who spend most of the movie arguing which one of them is going to sacrifice him/herself and surrender to the police.

Three inmates in an asylum tell their stories. Story 1, a husband and wife discover they should be careful what they wish for. Story 2, a naked female ghost gets revenge from her watery grave. Story 3, a dead prostitute returns as a ghost.

An old man of the village tells kinky ghost stories to a few of it's inhabitants after all the kids have gone to bed. What follows are stories that have horror elements and some soft-core nudity thrown in.

Most of the Liang family are murdered by Ling Guixing and the surviving son Liang Tianlai (Ng Wai-Kwok) wows to bring him to justice. Fighting against corruption in several courts, his only main witness is beggar Afeng but as Ling has people around him willing to bribe and murder, soon Liang is left alone. All up until he meets what seems like the last upstanding official...

In the 18th century, Emperor Chien Lung makes a journey into Southern China.

Pao-yu is in love with his cousin, Lin Tai-yu, but his family has other marital plans for him that will leave both broken-hearted.

Emperor Chien Lung uses disguises to experience life among his subjects.

Despite Kuang Hsu's enthronement as the last reigning Emperor of China, his ability to rule effectively is overshadowed by the ever-present power of the Dowager Empress. When his attempts to reform the Imperial system are thwarted by the Dowager Empress, he attempts to curb her power. His efforts are not successful, and this failure leads directly to his own death and the end of Imperial rule in China. The Dowager Empress, though, ends her days comfortably and in peace.

This dragon lady of the Ching Dynasty was the power behind the throne for 50 years, and hew vast tapestry of palace intrigues is vividly brought to the screen in this memorable epic.

Director Li Han-hsiang teams up with Michael Hui in this tongue in cheek tale of extramarital affairs and corruption. Michael Hui and Wang Sheng are two loafers who prove they are good for something after all.

Michael Hui plays four characters in this three-chapter, Hong Kong erotic comedy anthology set in Northern China during WWII.

Hong Kong comedy directed by Li Han-Hsiang.

Two brothers, one wrongly accused of a crime, go on a mission of vengeance to find the men who framed him.

No list of the screen's comic geniuses would be complete without Michael Hui Kwun-man. He created a hilarious and lovable comic persona that was both uniquely Asian but also universally beloved. This, his first film, not only showcased his incomparable sense of humor but revolutionized Hong Kong comedy. Evoking Chaplin, he plays a warlord in early 20th Century China, but makes the role his own with both laughs and some of the sexiest ladies on the Shaw Brothers lot.

See http://www.lcsd.gov.hk/fp/en_US/web/fpo/programmes/2011mm/film82.html

Two orphan boys indulge in petty theft after the war. One, Chow, is caught but gets adopted by a policeman. He turns out a solid young citizen. Lee, the boy who escapes, grows up to be a triad. When the two re-meet, Lee is attracted to Chow’s stepsister. Some years later, Chow is now a cop and vows to smash Lee’s gang. After a struggle with his conscience, Lee agrees to help.

Orphan Lee Dan-hung is made a scapegoat by her cousin Chor Kwai-ping. Facing drug trafficking charges, Lee is released on parole with the doctor To King-chung as guarantor. Lee works as a sanatorium nurse. The modest caretaker, Matriarch To plays matchmaker for her son To Ngan-sing and Lee. Ashamed of her past, Lee listens to the doctor's advice and keeps the Tos in the dark. Chor returns and coerces Lee into colluding with smuggling ring by threatening to kill her newborn daughter. The reluctant Lee is arrested in a police raid together with the gang members but is later acquitted. With a reputation to defend, To toughens his heart and expels Lee. Lee leaves for Borneo with a touring opera troupe but a yearning for her daughter brings her back several years later. Feeling for the upset in-law, Matriarch To grants her stay until his son's return from business in a few months' time. When To returns, he decides to make up for the wasted time by bringing Lee and her daughter home.

Lawyer Fan Kam-man believes that his wife Chun Yuen-yung perished in a plane crash three years ago and walks down the aisle again with Yan Bik-kei. In fact, Chun survived a crash-landing on a deserted island with fellow passenger Wong Ah-lik, a biologist. Returning to civilisation, Chun sabotages their wedding night at the hotel. Overjoyed with her safe return, Fan pulls off a feat with his mother and wife to terrify Yan into divorcing him. However the lie is exposed when Wong shows up. Unyielding, the women settle to serve as wives to the same man. Mistaking Fan for the person Chun is going to see, the eavesdropping Yan goes to the date in her stead and unwittingly sleeps with Wong. Yan finally settles for Wong, putting an end to the topsy-turvy.

The creative person torn between ideals and reality is one of Chor Yuen's favourite characters in his 1960s films. Another favourite subject is the rose, not only featured in the title of several films but is also the name of the production company he formed with his future wife, Nam Hung, who also stars in most of its productions. Rose in Tears is in fact the company's inaugural project. The story features two painters, one famous and the other struggling but both infatuated with the same delicate rose of a woman, negotiating their ways through art, commerce and love. With this heart-tugging story, Chor finds a vehicle for his baroque impulses, relishing in lavish images and over-the-top emotions.