Cinematography
A thief operating along the highways of rural Australia gets caught in the crossfires of an ongoing police investigation after he mugs a serial killer.
Director of Photography
After a decade in the making, including a rib-tickling behind the scenes chronicle at AFF2020 (Video Nasty: The Making of Ribspreader) Adelaide’s doyen of trash, Dick Dale, presents a gloriously unrepentant gore fest. Decades after his career as a tobacco advertising icon, Bryan Burns’ (Tommy Darwin) life is in ruins. After his mother dies of lung cancer, he is tormented by a talking cigarette on an anti-smoking billboard. He snaps and transforms into the Ribspreader, a killer stalking the city, extinguishing smokers and cutting out their lungs to make his macabre smoking jacket. Littered with excessive set pieces and moments of genuine hilarity, the precious gold is the brilliant cast of faces from Adelaide’s underground.
Cinematography
올림픽 출전을 놓쳤다. 오랜 꿈이 좌절됐다. 몸도 마음도 지친 매디 코넬. 그녀에게 어린 체조 선수들이 다가온다. 제발 저희 코치가 되어 주세요. 라이벌 팀과의 경기에서 이기고 싶어요!
Grip
A comedy drama told from six different perspectives of a family who reunite in Adelaide when Mum plans to sell the family home. Any sense of togetherness quickly crumbles to reveal how fucked and glorious it is to be home.
Director of Photography
미국의 스타 체조 선수였던 열여섯 살 소녀. 선수 생활을 정리하고 엄마와 함께 호주로 이사하지만, 새 친구를 위해 다시 한번 대회에 도전한다.
Director of Photography
정상에 오르기 위한 자신감이 부족한 체조 선수. 그러나 새로운 코치의 도움으로 국가대표에 선발될 기회를 얻는다.
Cinematography
A young gay man experiences the difficulties of bringing a pal home for the evening when mom and sis are home.
Camera Operator
Ali is not a citizen. He drives a taxi using another man’s license and relies on the GPS to negotiate his way around a city he doesn’t know. His passenger, Esther is an old woman who can’t remember where she is going. She is angry because she has been stripped of everything that is familiar to her and she doesn't recognise the world anymore. They travel through the night in search of a vague destination while surveillance cameras mark their journey, coldly omitting the human element, defining who belongs and who does not, who is safe and who is not. What they have in common is their damage – she can’t remember and he can’t forget.
