Camera Operator
Director of Photography
When Zdenka, a single woman in Czech Republic, started playing online games with strangers, she didn't know it would change her life. Neither did Tabish, a computer scientist a world away in Pakistan.
Director of Photography
정신과 의사인 마크레가 온라인 만남 사이트에서 알게 된 다리아와 첫 데이트 후 서로 가까워지면서 다리아와 자신을 감시하고 추적하는 어떤 이들이 있다는 것을 알게 되고 그 이유를 알아내려고 한다는 내용의 미스터리 극영화
Camera Operator
As two beach volleyball partners focus on personal matters and a championship tournament, a quirky figure disrupts their game on and off the court.
Director of Photography
A mysterious death in the border town of Varnsdorf brings together a cynical detective and a young idealistic police officer. Their investigation leads them to the local Vietnamese community, which is bound by rigid rules and complicated relationships.
Camera Operator
H*ART ON dives off the deep end of modern art. A film about the yearning to create, to mould everyday emotions into a meaningful life and, most of all, to live beyond one's death. A struggle that gets to the existential core of each of us. How do you find meaning in everyday fear, love, sex and loneliness?
Director of Photography
Former cop Filip Marold doesn't want to be reminded of some things from his past. But others remind him... He works as a private detective, sleeps with his secretary and spies on people for money. All up to the moment when he meets seductive Raluca and his life turns upside down. Is it just a coincidence? Fate? Or has someone set a trap? Even in his wildest dreams he wouldn't imagine the things that were about to happen. Things that involve sex, murder, the big reveal and a harsh reminder of that damn past...
Cinematography
We encounter the controversial Croatian film director Lordan Zafranovic in voluntary exile in Prague. The film follows his rise from a talented outsider to the celebrated Yugoslav director of the acclaimed war film, 'An Occupation in 26 Pictures'. His life story is an unconventional depiction of a rise and fall that reveals compromises made in order to survive artistically during communism, as well as the missed opportunities and miscalculations that led to his inability to adapt in later years. Is the charismatic Zafranovic a national traitor or a victim of historical circumstances in which the only thing he wanted to do, in his own words, was to be himself and make films?
