Johannes Hampel

영화 원제인 ‘Komm mit mir in das Cinema’(영화관으로 가자)는 사랑을 영화 속에서 찾을 수 있다고 썼던 엘제 라스커쉴러의 1937년도 시에서 가져온 것이다. 영화를 둘러싼 여러 담론과 관점에 있어서 전후 독일영화의 역사를 크게 확장시킨 에리카와 울리히 그레고어가 함께할 수 있었던 것은 바로 영화에 대한 사랑 덕분이었다.

The cabaret artist Marc-Uwe and the kangaroo are faced with a problem: Lisbeth, the mother of Maria has taken a wrong turn somewhere and is now denying the climate crisis on the Internet. How can she be brought to her senses? The two make a bet with each other: If they don't manage to bring Maria's mother to her senses, they will lose their apartment. So Marc-Uwe and the marsupial embark on a trip to the Conspiracy Convention in Bielefeld and shortly thereafter become part of a tangible conspiracy led by conspiracy guru Adam Krieger and his followers. As the two flatmates talk their heads off, it's no longer just about their apartment for Marc-Uwe and the kangaroo, it's more than that: it's a matter of life and death! Translated with www.DeepL.com/Translator (free version)

Ben wakes up from an artificial coma after a failed mission. The personal protector has to deal with the fact that he could not prevent the death of a little girl. In order to recover, the BKA officer takes a break from the police service and drives to the Baltic Sea with his girlfriend Marion. He spent happy days there as a child. The first visit to his parents in years is at the same time the return to the place of painful memories, because back then his best friend Timmi was killed in a mysterious accident. To his astonishment, he now learns that Timmi, now an adult, is alive and lying in a hospital as a coma patient. Together with Marion, a doctor who specializes in this diseases, Ben wants to reach Timmi with the help of MRI technology. Perhaps the trauma can be resolved if the cause can be brought to light. Unlike Ben, however, neither Timmi's father nor the village cop Nolting seem interested in it. A web of guilt, lies and deception has to be unraveled to clue to the puzzle.

A communist kangaroo moves in with an artist in Berlin.

A nighttime odyssey just before New Year's Eve: a woman and a man walking along a back road, caught up in a fight. Their conflict spreads out around them: it covers the dirty coat the woman is wearing, a child she meets and a waiter who doesn't want to leave her alone. Between external stimuli and internal conditions an idiosyncratic and seemingly inescapable space of repressed aggression and confrontation emerges.