Marina (Alyona Babenko) is a journalist contemplating retiring, bored of writing stories of serial killers and murders that are front page news one day, and then are quickly forgotten the next. At a large house a lawyer is holed up, police are in the front garden, snipers on the roof and the lawyer asks for Marina. She’s a little surprised by this as she and the lawyer have only crossed paths a few times during her career, but agrees to go to the lawyers house. Arriving at the house she’s confronted by the large police presence, she’s given a quick debrief of the situation and requested not to go into the house. She declines and enters the house. Just inside the front door is the lawyers wife, she tell Marina that he’s lost it and locked the children in their rooms and that he’s going to kill them all.
어느 영화 감독이 한순간 마술처럼 18세기 초의 상트페테르부르크의 에르미타주 궁으로 가게 된다. 어느 누구도 감독을 보지 못하지만, 오로지 검은 옷을 입은 남자만이 감독을 본다. 검은 옷의 남자는 19세기에서 온 프랑스 외교관이였다. 감독과 외교관은 격동의 러시아 한가운데에서 놀라운 역사의 현장을 목격한다.
Starting 1970s. Marina Rodionova gives birth to a child from a donor. Grown up son Andrei she tells the legend of the deceased father. It takes many years. Son of a student accidentally discovers that his father is a professor Hlyuzdin who teaches at his institute. Andrew's friend can not get from Ladder strict professor and then Andrew decides to introduce his father and mother.
Old village doctor Ruben Azaryan is going to operate a sick child, although he feels bad. Perhaps this is the last operation in his life. He remembers his youth, the institute, the student Maro in love with him, the war, the front and the first love - nurse Svetlana, who died during a raid on their hospital. Then marriage to Maro, a difficult job as a village doctor. One day he refuses to have an abortion for one widow. The widow commits suicide from shame. Her death still torments Azaryan. But hundreds of people he saved are also remembered, which means that life was not lived in vain ...
