Director
Documentary film about Nordic volunteers fighting the Estonian War of Independence
Director of Photography
Kääriku Farm in Viljandi County is home to one of the cornerstones of Estonian textile art. Together with her elderly mother Valda Rau, the esteemed textile artist and lecturer Anu Raud reflects on life and death.
Writer
Kääriku Farm in Viljandi County is home to one of the cornerstones of Estonian textile art. Together with her elderly mother Valda Rau, the esteemed textile artist and lecturer Anu Raud reflects on life and death.
Producer
Kääriku Farm in Viljandi County is home to one of the cornerstones of Estonian textile art. Together with her elderly mother Valda Rau, the esteemed textile artist and lecturer Anu Raud reflects on life and death.
Director
Kääriku Farm in Viljandi County is home to one of the cornerstones of Estonian textile art. Together with her elderly mother Valda Rau, the esteemed textile artist and lecturer Anu Raud reflects on life and death.
Director of Photography
Estonia's suicide rate is one of the highest in the world. The author tries to trace the social causes of the tragic cases in the footsteps of one schoolboy's suicide.
Writer
Estonia's suicide rate is one of the highest in the world. The author tries to trace the social causes of the tragic cases in the footsteps of one schoolboy's suicide.
Director
Estonia's suicide rate is one of the highest in the world. The author tries to trace the social causes of the tragic cases in the footsteps of one schoolboy's suicide.
Director of Photography
Jaan Rahumaa, an old boat master living in Soomaa, makes a dugout canoe from an aspen tree, an irreplaceable vehicle during the spring high water.
Writer
Jaan Rahumaa, an old boat master living in Soomaa, makes a dugout canoe from an aspen tree, an irreplaceable vehicle during the spring high water.
Director
Jaan Rahumaa, an old boat master living in Soomaa, makes a dugout canoe from an aspen tree, an irreplaceable vehicle during the spring high water.
Director of Photography
The director asks straightforward questions in a phone call to the lead architect of the district of Lasnamäe, Malle Meelak. The topics include the bureaucracy, planning and living quality in the brutalist district of panel houses. He gets surprisingly straightforward answers because Meelak doesn't know that the call is being recorded. Later, in a public interview conducted in front of the camera, Meelak's answers are quite different.
Writer
The director asks straightforward questions in a phone call to the lead architect of the district of Lasnamäe, Malle Meelak. The topics include the bureaucracy, planning and living quality in the brutalist district of panel houses. He gets surprisingly straightforward answers because Meelak doesn't know that the call is being recorded. Later, in a public interview conducted in front of the camera, Meelak's answers are quite different.
Director
The director asks straightforward questions in a phone call to the lead architect of the district of Lasnamäe, Malle Meelak. The topics include the bureaucracy, planning and living quality in the brutalist district of panel houses. He gets surprisingly straightforward answers because Meelak doesn't know that the call is being recorded. Later, in a public interview conducted in front of the camera, Meelak's answers are quite different.
Director
Filmic study of time by Estonian director Mark Soosaar.
Director of Photography
Filmmaker Mark Soosaar talks to a remarkable gentleman Leonhard Vene (1902 - 1994), a self-educated antiquity collector thirsty for knowledge. For his whole life Leonhard has lived in a manor where he has all his life collected. Beautiful old pieces of furniture fill the hall of the manor - the old man himself puts up with puritan conditions and lives in a small kitchen. He is always smiling and looks like he comes from the previous century.
Writer
Filmmaker Mark Soosaar talks to a remarkable gentleman Leonhard Vene (1902 - 1994), a self-educated antiquity collector thirsty for knowledge. For his whole life Leonhard has lived in a manor where he has all his life collected. Beautiful old pieces of furniture fill the hall of the manor - the old man himself puts up with puritan conditions and lives in a small kitchen. He is always smiling and looks like he comes from the previous century.
Director
Filmmaker Mark Soosaar talks to a remarkable gentleman Leonhard Vene (1902 - 1994), a self-educated antiquity collector thirsty for knowledge. For his whole life Leonhard has lived in a manor where he has all his life collected. Beautiful old pieces of furniture fill the hall of the manor - the old man himself puts up with puritan conditions and lives in a small kitchen. He is always smiling and looks like he comes from the previous century.
Director of Photography
The Christmas of 1905 in Vigala is not a peaceful holiday. The manor house has just been pillaged during the peasant's revolt; the air is full of smoke of fire and there is the premonition of inevitable punishment. Bernhard Laipmann is a tenant farmer whose wife is asking him to leave home since her husband keeps drawing the attention of the authorities. Having doubts about leaving, Laipmann is inspired by endeavouring towards freedom and equality and alarmed by the violence of the revolution.
Writer
The Christmas of 1905 in Vigala is not a peaceful holiday. The manor house has just been pillaged during the peasant's revolt; the air is full of smoke of fire and there is the premonition of inevitable punishment. Bernhard Laipmann is a tenant farmer whose wife is asking him to leave home since her husband keeps drawing the attention of the authorities. Having doubts about leaving, Laipmann is inspired by endeavouring towards freedom and equality and alarmed by the violence of the revolution.
Director
The Christmas of 1905 in Vigala is not a peaceful holiday. The manor house has just been pillaged during the peasant's revolt; the air is full of smoke of fire and there is the premonition of inevitable punishment. Bernhard Laipmann is a tenant farmer whose wife is asking him to leave home since her husband keeps drawing the attention of the authorities. Having doubts about leaving, Laipmann is inspired by endeavouring towards freedom and equality and alarmed by the violence of the revolution.
Director
A film about a wildlife preserve Vilsandi that used to be the oldest in the former Soviet Union.
Director of Photography
Kihnu is a small island in the Gulf of Riga. Soosaar looks at the islanders from the point of view of an explorer, just like his filmmaking hero Robert Flaherty once did. Their traditional lifestyle unfolds in front of his camera: customary songs and rituals, and heartfelt images of people’s daily lives.
Director
Kihnu is a small island in the Gulf of Riga. Soosaar looks at the islanders from the point of view of an explorer, just like his filmmaking hero Robert Flaherty once did. Their traditional lifestyle unfolds in front of his camera: customary songs and rituals, and heartfelt images of people’s daily lives.
Director of Photography
A parody of several popular movies such as A Man and Woman (1966) and The Last Relic (1969).
Writer
A parody of several popular movies such as A Man and Woman (1966) and The Last Relic (1969).
Director
A parody of several popular movies such as A Man and Woman (1966) and The Last Relic (1969).
Director
Documentary about seal hunters off the coast of Estonia.
