Gérard Martin

Jean-Luc Godard is cinema, its quintessence. Just turned 91, he has made more than 140 films. We hate him as much as we worship him. Where does his aura come from? From legendary films of course, but also from Godard himself. He is a public figure as much as a man shrouded in mystery. Everything and its opposite, he has taken all possible paths. It is not easy to seize such a legendary, enigmatic giant. Godard’s itinerary follows one direction only: a constant renewal of his art. He sees the creative act as a necessary act of criticism and deconstruction.” I always start from the negative. I am a positive man who starts from the negative”. The artist reinvents himself tirelessly, and inevitably destroys himself. This portrait wants to take us beyond the clichés of a myth that has sometimes become caricatural, to meet a man more sentimental than it seems, a man inhabited, sometimes surpassed, by his art. Because yes, Godard is human. Not just a machine who thinks and creates images.

This way-offbeat comedy from Gallic director Jeanne Labrune concerns two young French women, best friends Léa and Jacinthe. While Jacinthe develops a fixation with the moths that begin to cluster in frightening quantities throughout her apartment, Léa finds herself drawn to a dim-witted fellow employed by a local supermarket, then impulsively decides to follow him home via train. When Léa mysteriously disappears during the days that follow, Jacinthe naturally grows concerned about her friend and decides to investigate.

15 years through Le Bois de Vincennes - The "before" and "after" 1999 storm destructions.

A musical comedy set to a hip-hop beat, the feature debut from actress-turned-director Blanca Li finds a dedicated young breakdancer abandoning his comfortable life in a bid for fame in the U.S.A. Dropping out of school and leaving home to escape his overbearing mother, 18-year-old David dedicates all of his time to perfecting his moves with his dance team, the Urban Cycle Breakers. As David and his team begin gearing-up to face-off against a rival group of intimidating dancers, his dreams of finding romance with Samia and making it to the world dance finals in New York finally seem to be coming into focus.

A college student discovers that no good deed goes unpunished in the black comedy Cinq Minutes de Detente (aka A Five Minute Break). Phillippe (Jose Garcia) is a pre-law student at what is described as "a French University in North America." One day during gym class, Phillippe lets a stranger who claims to have a heart condition borrow his shoes for a few minutes. The man then walks across a tar roof, leaving prints from Phillippe's shoes, and shoots a man who's been sleeping with his wife, before returning the shoes to Phillippe. Soon Phillippe's shoes are matched to the crime and he finds himself behind bars.

Sucre Amer tells the story of a unique court case in which an event from the past is judged by a court of history. Major figures from history are brought together in the present to re-examine the "Ignace case", about a legendary figure in the history of Guadeloupe who fought against the armies of Napoleon Bonaparte to preserve his freedom. A hero despite himself, Ignace's life and struggle were subsequently consigned to oblivion by his enemies. His treatment has left a bittersweet taste in the mouths of the people of Guadeloupe.

"Le roman d'un truqueur" mixes the story of a fictional investigation with the reality of its filming by the author, in a spirit of humor, self-mockery and pastiche. After having unscrupulously infiltrated the action, the producer, confusing fiction and reality, tries to hijack the investigation for his own benefit. Entangled in their investigation, but true to their role, the actors thwart the producer's schemes and then look for a financing solution themselves to bring the film to a successful conclusion.

As of his early childhood Robinson Crusoe has wanted to become a sailor. And when he does become one bad luck has it that the vessel he sails on gets shipwrecked. Being the only survivor of the catastrophe, he manages to take refuge on a desert island where he will spend several years, learning how to survive...

The year 1989 marked the 200th anniversary of the French Revolution, and a number of filmmakers put together movies intended to celebrate that event. This historical action drama, based on the book Sous le vent de galerne by Andre Guilloteau looks at some of the less well-known and unappealing consequences of the republican takeover. In 1793, the entire region of Vendee rose up in revolt against the republican French government. Instead of bringing relief from the heavy taxation imposed under the monarchy, the republican government actually raised taxes in the region, and to add insult to injury, also imposed a heavy burden of military conscription ("the draft") on it. In the story, the inhabitants of one of the villages of the region organize under their blacksmith and a local nobleman to fight the government forces, but before they can prepare for a proper battle, they are massacred.

Jacques Belin, presenter of a silly TV show, gets drunk after receiving an award and misses the train bringing his TV-soap-star fiancée. He meets up with Frède, just out of prison after a three year sentence and, in between numerous arguments and Jacques' break-up with his girlfriend, the two of them get drunker together, going across Paris in search of more alcohol and adventure.

While two theater groups rehearse plays by Aeschylus, two solitary individuals wander the Parisian streets hustling the populace for cash.

“성과 혁명”이라는 제목이 붙었던 영화로, 고다르가 레닌을, 고랭이 로자 룩셈부르크를 연기하며 1960년대의 정치적인 사건들에 대한 논평과 토론을 벌인다. ‘시카고 8인 재판’과 유사한 재판이 묘사되며 피고인들의 일상적인 삶이 보여지는 한편, 미국의 급진적인 흑인결사 ‘블랙팬더 당’과 미 연방정부와의 긴장된 관계를 또 하나의 이슈로 다룬다.

고랭과 고다르의 본격적인 공동작업이 시작된 작품. 서부영화의 장르적 관습을 모델로 하여 전통적인 부르주아 영화의 테크닉과 내용을 조직적으로 해체하면서 그 뒤에 숨어 있는 억압적인 이데올로기를 노출시키는 영화. 이미지와 사운드의 관계에 대한 정치적 질문이 몽타주의 전통적 개념을 전복시키는 형식 실험과 동일하게 진행된다.