Martin Ženíšek

Romantic comedy takes place during a wedding day of a bride-to-be Alex, whose big day keeps falling apart. Her neurotic mother controls every step she makes, her step father investigates a non-existing crime and her biological father, a bohemian owner of the hotel where the wedding takes place, is responsible for a missing groom. Chaos in the hotel suits the charming ski instructor Peter who convinces an introverted hotel guest Klara to help him create the most beautiful dinner date ever.

2차 세계 대전이 발발할 무렵 큰 꿈을 품고 베를린에 온 한 여배우. 그러나 요제프 괴벨스와의 만남은 그녀의 삶을 송두리째 바꿔 놓는다.

A new pastor arrives as the mayor conspires to send Mrs. Horáčková and the other village gossips away on a seaside holiday in this sequel.

This romantic comedy, shot in a road-movie style, tells the story of businessman Petr Kraus and his personal transformation. After returning from China, where he supervised the production of clothing for his customers, Petr finds out that the manufacturer had ruined the whole order and so he gets into trouble with the contractor who wants some astronomical compensation for the damage. Peter knows that he should solve the problem quickly, but instead he decides to go on a trip seeking his personal happiness and an escape from responsibility. Fortunately, his close friends, Tereza and Pavel are there to help...

In the second half of the 18th century, Jeremy Bentham designed the model of a panopticon, a type of building that made supervision most effective. Panopticons were firstly used for prisons, places where supervision and punishment are the main functions. Secret services but also different surveillance technologies are the new panopticons. They can monitor, save and store data about people to identify them, to distinguish the location and time of people’s behaviour and actions. Architecture theorist, software expert, people who are or were monitored, or the former secret service agents explain their panoptical experience. Reading again Michel Foucault´s Discipline and Punish, through experience with different kinds of supervision, in the film we are looking for the perfect application of the panoptical principle.

Slightly meteorological film about creating, behaving and blustering of clouds, about how the invisible (e.g. water in atmosphere) can become visible and in what way formating of ideas is similar to that of clouds. Also a painter and a physicist participate, to talk about elements (the first one) and colours (the latter one).