Maximilian Haslberger

참여 작품

Anhell69
Co-Producer
A funeral car cruises the streets of Medellín, while a young director tells the story of his past in this violent and conservative city. He remembers the pre-production of his first film, a Class-B movie with ghosts. The young queer scene of Medellín is casted for the film, but the main protagonist dies of a heroin overdose at the age of 21, just like many friends of the director. Anhell69 explores the dreams, doubts and fears of an annihilated generation, and the struggle to carry on making cinema.
Shall I Compare You to a Summer's Day?
Co-Producer
The director turns the diary of his sexual adventures into a serial narrative in the style of “One Thousand and One Nights”. This polyamorously-minded queer musical applies the same playful approach to folk tales as it does to Egyptian pop music.
The White Beach
Producer
At first calm, even dreamy, the film takes the viewer into the quiet of the seaside and undersea landscape somewhere in Italy. They are soon shaken awake from these blissful images by footage of traces of today's global industrial world, as an increasing part of the sea is polluted by wastewater from factories, destroying the natural beauty.
Music and Apocalypse
Producer
Phoebe Phaidon works as a climatologist at an institute of cybernetics which is about to be shut down. So there has to be a solution in the form of a successful evaluation. The strategy consultants now work against the student movement in a virtual reality. Turmoils start.
Happy New Year
German (voice)
On the last day of the year, a dispirited work-at-home phone interpreter has her moribund life turned upside down when she answers an unexpected emergency call.
The Humanitarians
Writer
Documentary - Queer binaries and emancipation agenda: Jochen and Sven struggle in achieving a regular sex life. - Joachim Neumann, Sven Normann, Tina Pfurr
The Humanitarians
Director
Documentary - Queer binaries and emancipation agenda: Jochen and Sven struggle in achieving a regular sex life. - Joachim Neumann, Sven Normann, Tina Pfurr
Asta Upset
Producer
The film is set in a modern day 'Berlin Republic' liberated from all irrelevancies. It's about artistic production, the creative industries and above all film and cinema - a political manifesto in feature film format. It centres on Asta, tough, hardened by theory and immaculately styled right down to the emblems on her leather jacket, with current art scene jargon flowing elegantly from her lips.