Jomo Fray

Follows a woman grappling with the meaning of love and commitment in the face of an uncertain and tumultuous world. A sunny-day panic attack and a wholly new take on the wedding film, the movie follows her over the course of her “non-wedding” day.

After the sudden death of her father, Haas meets Will. Runner is the story of two young strangers finding each other across the vast American landscape.

Tender caresses and enveloping embraces are portals into the life of Mack, a Black woman in Mississippi. Winding through the anticipation, love, and heartbreak she experiences from childhood to adulthood, the expressionist journey is an ode to connection — with loved ones and with place.

A teacher gives a brief history lesson on the concept of whitness to students. This is intercut with Rage Against the Machines Killing in The Name of as well as quotes relating to the discussion. It goes onto critique racism and the overall structure of wealth and power in America and the history that generated it.

뉴욕에 사는 와이는 또래 친구들 사이에서 인기 많은 젊은 여성이다. 폴은 아름다운 그녀에게 사랑의 감정을 느끼게 된다. 하지만 폴은 와이가 트랜스 젠더라는 사실을 알게 된다. 폴은 와이를 향한 자신의 감정 뿐 아니라 그들의 관계를 내버려두지 않는 사회적 시선과 마주해야 한다.

5개의 파벌이 명문 홀드웰 기숙학교의 저변을 좌지우지한다. 그중 강력한 파벌인 '스페이드'의 맨 윗자리에는 셀라 서머스가 있다. 매력적이면서도 몰인정한 셀라는 가까이 할 사람과 쳐내야 할 사람을 고르면서 두려움과 애정의 대상으로 아슬아슬한 경계를 오간다.

Nettles are stinging plants. In six chapters, this short film explores stinging moments in the lives of different girls and women.

In an effort to rid herself of guilt for gentrifying the neighborhood, a WASPy young woman aggressively attempts to befriend the Indian woman who works at the bodega on her block.

A young boy falls in love with his babysitter.

Faced with an emergency, a group of young Black and Latino friends weigh the pros and cons of calling the police.

Short | Drama

Producers of MGM and Plan B are teaming up with director RaMell Ross for a film depiction of Colson Whitehead’s 2019 novel, based on real-life events which have only recently come to light. The narrative bounces between the 2010s and the 1960s as an investigation takes place surrounding the now-defunct Dozier School for Boys in Florida. The academy’s walls hide a history of atrocities, including events that led to bodies being buried on the premises.

When the camera clicks on, the persona does too. That carefully cultivated image that requires multiple takes, the perfect angle, the right filter. And then you meet someone in real life and you don’t have that luxury. It’s on this precarious foundation that director Francesca Mirabella frames the world of modern relationships.