In October 2006, 25 artists came together to paint Supreme Court Justice Sandra Day O'Connor. The result was a collection of vastly different images of this iconic figure. This film chronicles the process from the initial setting (where Justice O'Connor entertained the room) to the evening when the paintings were unveiled at the National Portrait Gallery.
이제는 60대의 노인이 되어버린 마이클(알 파치노)은 거대해진 패밀리의 강력한 자금력을 바탕으로 합법적인 사업으로 전환하는데 힘쓴다. 이 과정에서 특히 그는 바티칸 은행의 책임을 맡고 있는 대주교와 거래하므로써 이러한 합법적인 사업을 행할 수 있었고 바티칸의 대주교 역시 마이클의 사업에 참여하여 이익을 얻고 있었다. 이러한 그의 계획에 젊은 보스 조이 자자(죠 맨테그나)가 정면으로 도전해오고, 마이클 자신도 습격을 받는다. 그러나 일단 도전을 받은 이상 응하지 않을 수가 없고, 자자의 뒤에는 그의 계획을 방해하는 거대한 조직의 음모가 도사리고 있었는데...
"Shooter," aka Matt Thompson aka Gruwald is a photographer in 1967 Saigon, Vietnam. Working out of a news agency for a major magazine, Thompson gets involved in the lives of the soldiers he meets and "shoots." There's Ngoc, the Vietnamese photo lab tech; Klause, a German photographer swiping Buddhas; Rene, a French photographer who carries an AK-47; Stork, Matt's superstitious roommate who is also a photographer; Rizzo, the irascible editor; Lan, an American-educated Vietnamese reporter and Tracey an embassy worker who is Matt's former flame.
"Shooter," aka Matt Thompson aka Gruwald is a photographer in 1967 Saigon, Vietnam. Working out of a news agency for a major magazine, Thompson gets involved in the lives of the soldiers he meets and "shoots." There's Ngoc, the Vietnamese photo lab tech; Klause, a German photographer swiping Buddhas; Rene, a French photographer who carries an AK-47; Stork, Matt's superstitious roommate who is also a photographer; Rizzo, the irascible editor; Lan, an American-educated Vietnamese reporter and Tracey an embassy worker who is Matt's former flame.
