Luca Ricciardi

Camilo, 35 years old, son of Colombian guerrillas, returns to his home country after 25 years of exile in Italy. In an attempt to understand his parents' radical choices, he dives into the family archive. Extraordinary amateur films and private writings reveal never-ending conflicts and painful memories. Those of a father, a revolutionary commander, who sacrificed everything in the name of political struggle, but who saw his dream of justice vanish. Those of a son, who grew up in the shadow of a charismatic but cumbersome man, unable to accept the needs of a child. Those of a mother. A ghost that has haunted Camilo's dreams since he was five years old. A unique opportunity to give life to an impossible dialogue, long desired but never really happened.

"Marx can wait" was something Camillo Bellocchio said to his twin Marco the last time they met before the former died at a young age in the heated days of 1968. This documentary is dedicated to his memory.

The armies of Fascist Italy conquered Addis Ababa, capital of Abyssinia, in May 1936, thus culminating the African colonial adventure of the ruthless dictator Benito Mussolini, by then lord of Libya, Eritrea and Somalia; a bloody and tragic story told through the naive drawings of Pietro Dall'Igna, an Italian schoolboy born in 1925.

The main (super)hero of Beatrice Baldacci’s documentary is a person depicted as the sum of her memories. The story of the director and her family is told in the first person, with home VHS recordings that show both Beatrice’s mother and Beatrice as a child taking on the role of an agent of memory. Outdated technology transforms the events of twenty years ago into an archaeological object.

God is now a Power Plant. On a misty night cows escape, a child is chosen, and a girl tries to find freedom.

Observes the mechanisms of construction and assimilation of gender in contemporary Italian society, through a kaleidoscopic mosaic of scenes of daily life: what are the choreographies of bodies, collective rituals, behaviors for each of the genres that condition our identities? Through paintings with a strong visual impact, Normal tells the story of normality making it alien to us, exploring the daily and collective staging of the male and female universe in which we all participate.