Alfonso Pino

Nömadak Tx is a road movie documentary about Igor Otxoa and Harkaitz Martinez de San Vicente (Oreka TX), from the Basque Country, who take their ancient 'txalaparta' percussion instrument to native peoples in India, the Arctic Circle, Mongolia, Algeria, and the Saharan Desert.

Argentine film about the experiences of conscripts in the Falklands War.

스페인 어느 시골 마을에서 이웃해서 살고 있으나, 수 년에 걸쳐 소유지 분쟁으로 원수처럼 지내는 두 가문이 있다. 한쪽 집안의 맏딸인 사춘기의 이자벨과 치노의 사랑은 다른 쪽 집안의 딸 루시아나의 마음에 상처를 입힌다. 오빠들을 부추겨 복수하려 하는 루시아나의 의도는 마을 전체에 피를 부르는데….1992년 실제로 일어난 사건을 영화화한 이 작품의 박진감 넘치는 연출도 여러 영화제에서 높은 평가를 받았다. 2004 몬트리올 국제영화제 감독상 수상

"El Florido Pensil" is a humorous reflection of the education of several generations of Spaniards from the 1940s to the 1960s. Based on the book of the same name by Andrés Sopeña, it evokes, from the present, his memories of that time: everyday school, local radio, Roberto Alcázar's comics, Thursday cinema with Franco opening swamps and "Yon Güein" chasing and killing Indians. Through the childish eyes of a child Sopeña (Daniel Rubio) and his schoolmates, we discover a way of understanding the world, society and a Spain "of glories and flowery pensil", as the national anthem of those years used to sing.

The old Spanish filmmaker Luis Buñuel (1900-83) imagines a movie plot, set in Toledo in the future 2002, about the fantastic adventure of three actors, who play him and his friends, the painter Salvador Dalí (1904-89) and the poet Federico García Lorca (1898-1936), and their search for King Solomon's table, a mythical artifact capable of revealing the past, present and future.

David is a teenager who feels he doesn't belong to a life where his family, friends and the girl he loves seem not to understand him.

A hilarious and heartfelt comedy! Meet Juan (Juan Luis Galiardo, Goya Ward Winner for Best Lead Actor)... an unbelievably charming middle aged ladies' man who is still taken as handsome even though he has to disguise his belly, his white hair and his "health" problems. A series of amusing situations begin when Juan is torn between his daughter, who unexpectedly and inconveniently arrives into his life, and his latest - and failed - love affair. His failed attempts at trying to patch things up will have you not only laughing out loud but it will also leave you with a wonderful sense of love and family values.

Carlos is a young student, just 21. Nice or annoying as he likes, enjoys provoking and transgreding. In the night he goes out to meet his friends in the Kronen, a bar. Every situation can be taken a little farther. There are no limits, no accepted barriers. And more each time, each adventure is chained to the next, as if it were a continuous night. A long description of people: grandfather, parents, sister, girlfriend, friends. And, among that, the obscure will of living every minute as if it were the last one. But something which happens puts Carlos and his friend against a reality they have been trying to ignore.

A divorcing couple remembers the best years of their lives.

The story of an expedition down the Orinoco and Amazon rivers in 1560 by Spanish soldiers searching for the fabled city of gold, El Dorado.

A 50-year-old playwright (Jesus Puente) bemoans his fate from his secluded home in Northern Spain in this depressing drama. Side plots include an actress and former acquaintance who comes to visit and his amorous diversions with a 20-year-old local woman.

April, 1940. Manolo, 16 years old, and Jesus, who is just 8, are taken by their older brother Pepe, a lieutenant in the Army, to a sanatorium for children suffering from tuberculosis, situated on the border with Portugal. Once in the sanatorium, Manolo, surrounded by boys all much younger than he is, feels a bit like the cock of the walk since the only other man around is the handyman Emilio who looks after the gardens and does whatever needs to be done about the place. His wife, Rafaela, is the cook. Manolo meets Irene, a falangist who runs the sanatorium, and the school teacher, Miss Transito, a crabby spinster. He has his first sexual experience, albeit as a voyeur, with his nurse Vicenta. When she has to leave, her place is taken by a girl from the village, Maria Jesus, with whom Manolo falls hopelessly in love. A relationship grows up between them which will mark them both for ever.