Juan 'Cuti' Sánchez

Carme is the centennial seamstress of a small place among mountains. She sews and unthreads the threads. She has the character of a hard but heartfelt generation. Ramon returns to the village after thirty years of absence. But no one recognizes him. Not even Carme. A return that, beyond the real, evokes the impossibility of returning home, no longer as a hero, but even as someone who can be recognized by his own.

Alba is twelve years old and wants to discover the mysterious, fascinating and unknown reality of death. With her best friend Samuel, she enters abandoned houses, travels through forgotten villages and explores remote mountains that hide another parallel world. Hers is a journey to reveal the unexplainable conflict between the living and the dead.

The octogenarian Angono Mba recalls the expedition in which he worked as porter for the Spanish filmmaker Manuel Hernández Sanjuán who, between 1944 and 1946, traveled through Spanish Guinea documenting life in the colony as he obsessively searched for a mysterious lake.

Joan Manuel Serrat fled to Mexico when Franco ordered his persecution. In Argentina and Chile, his commitment against military regimes is still remembered. Joaquín Sabina arrived later. His poetry bewitched the audience. In Argentina, he is a tango singer as much as a rocker; in Mexico, the mariachis sing their songs. The former is a symbol, a venerated figure; the latter is a “cuate,” as they say in Mexico, a buddy with whom you can always count.

Joan Manuel Serrat fled to Mexico when Franco ordered his persecution. In Argentina and Chile, his commitment against military regimes is still remembered. Joaquín Sabina arrived later. His poetry bewitched the audience. In Argentina, he is a tango singer as much as a rocker; in Mexico, the mariachis sing their songs. The former is a symbol, a venerated figure; the latter is a “cuate,” as they say in Mexico, a buddy with whom you can always count.

Moby Dick is a film that tells the story of an impossible quest amidst the uncertain cityscapes of post-industrial Barcelona. Slippery ways of life appear and disappear, bringing us into contact with some evasive characters. Characters who trade in scrap, steal, gamble, and hang around jails, disused factories and fairgrounds. Characters who have enough time on their hands to pose for a long while in front of a pinhole camera, but are incapable of being still, so their image is always blurred.

A prisoner on a furlough to attend his mother's funeral finds out he has a little brother, a nine year old kid who follows him on a aimless journey through desolate secondary roads.

While the three heir sons of a hotel owner want to bring their establishment back to the glamour of former times, a Department of Health official tries to find the way of closing it permanently.