Kimberly Stuckwisch

약력

Kimberly Stuckwisch is an award-winning triple-threat director, writer, and producer who divides her time between the money and the creative side of film, television, commercial, theatre, and music video production. Kimberly built a career as a vocal supporter of bold creative ideas with her work often bringing awareness to timely social issues and breaking conventional expectations. Her works have showcased at Sundance, Cannes, SXSW, TIFF, the Hammer Museum, MTV, Camerimage, The Public Theatre, and on theater screens throughout the world. Kimberly skipped film school and dove right into production where she began her career as a feature film First Assistant Director. By the age of 23, Kimberly AD'd over a dozen indie films. Soon after, Kimberly second unit directed numerous films including "Remarkable Power" with Evan Peters, Tom Arnold, and Kevin Nealon, "Play the Game" with Andy Griffith, Doris Roberts, and Liz Sheridan, and "The Deadline" with Brittany Murphy and Thora Birch. In 2016, Kimberly produced the "Hamilton Mixtape- Immigrants We Get the Job Done" music video with Lin-Manuel Miranda and Robert Rodriguez executive producing, which went on to win an MTV VMA for "Best Music Video with a Message" and a Bronze Clio. In 2017, she partnered with EndHIV to create a music video for Sia's "Free Me" starring Zoe Saldana and Julianne Moore, where all proceeds from the single were donated to the #endHIV campaign. In 2018, Kimberly produced "K-12", an album movie shot in Budapest with Melanie Martinez directing which garnered 28 million views on YouTube in less than a month. She premiered her first narrative feature "Summertime", directed by Carlos López Estrada, on opening night Sundance 2020 in the NEXT category. The movie, a poetic love letter to Los Angeles, was written and performed by 27 diverse Los Angeles youth. She is currently (2020) finishing production on her first feature documentary "The Kids Are Not Alright", an investigative documentary that explores the vast scope of the Troubled Teen Industry, a sprawling, for-profit network of cult-like reform programs for "wayward teens" currently operating in the United States. Mikaela Shwer is directing. Kimberly has directed music videos for Margo Price (Best New Artist Grammy Nominee), Samm Henshaw's "The World Is Mine" which received Gold for Best International Music Video at the Kinsale Shark Awards, and Broken Bells "Good Luck" which won the New Generation Award at the Berlin Commercial Awards, is in competition at Camerimage 2020, and is shortlisted for a 2020 UK Music Video Award.

참여 작품

Big Time
Big Time
Writer
Companion piece of Angel Olsen's new record.
Big Time
Big Time
Director
Companion piece of Angel Olsen's new record.
서머타임
서머타임
Producer
Over the course of a hot summer day in Los Angeles, the lives of 25 young Angelinos intersect. A skating guitarist, a tagger, two wannabe rappers, an exasperated fast-food worker, a limo driver—they all weave in and out of each other's stories. Through poetry they express life, love, heartache, family, home, and fear. One of them just wants to find someplace that still serves good cheeseburgers.
SOUR Prom
SOUR Prom
Director
Olivia Rodrigo performs her #1 debut album SOUR during her senior year prom.
도어즈
도어즈
Producer
Without warning, millions of mysterious alien “doors” suddenly appear around the globe. In a rush to determine the reason for their arrival, mankind must work together to understand the purpose of these cosmic anomalies.
K-12
K-12
Producer
Cry Baby, a strong and sensitive girl, is sent off to a disturbing sleepaway school that’s hidden underneath a grandiose façade. Luckily, she has a sweet and unapologetic best friend who sticks up for her when she gets bullied by the other students whose brains are under control by the Principal and his wicked staff. With the help of the magical friends they meet along the way, as well as an Angelic Spirit Guide, they are able to gain the strength they need to fight off the school’s belligerent patriarchal conditioning.
HIT TV //The Prologue
HIT TV //The Prologue
Producer
HIT TV is a love letter to 80's Action-Thrillers. The short takes place in a neon 80's city called Emerald Bay. An illegal TV show has mysteriously appeared every night posting murderous bounties. The organization running the show, highjacks broadcast channels to air a seedy and haunting call-to-action where people are identified for murder and priced accordingly. Happy Hunting, Players…
딥 인 더 밸리
딥 인 더 밸리
Second Assistant Director
20대의 혈기왕성한 친구 ‘칼’과 ‘레스터’는 어느 날, ‘레스터’의 집에 택배로 도착한 거대한 크기의 상자를 보고 놀란다. 호기심을 참지 못해 열어본 상자 안에는 현실과 다른 차원의 공간으로 순간이동을 시켜줄 최첨단 장비가 들어 있었던 것! 두 친구는 그 동안 꿈꿔 왔던 이들의 ‘야한 상상’을 실현시켜 줄 곳으로 떠날 것을 결정하고 모든 상상이 현실이 되는 ‘음란의 왕국’으로 공간 이동을 하게 된다. 야한 상상에 날개를 달아줄 그 곳에 도착한 두 친구는 정말 환상적이고 놀랍고 신기한 경험들을 하게 되고 쾌락의 끝을 경험하기에 이른 두 친구는 집으로 다시 돌아가는 방법에 대해서는 숙지하지 않고 있음을 깨닫고 심각한 걱정에 휩싸이게 되는데...
데드라인
데드라인
Second Unit Director
시나리오 작가 앨리스(브리트니 머피)는 조용한 곳에서 각본의 마감일을 맞추기 위해 영화제작자가 빌려준 외곽의 저택에서 혼자 지낸다. 하지만 집으로 들어온 첫 날부터 수상한 일들이 일어나게 되고 집 안에 자신 외에 무언가가 더 있음을 느끼게 된다. 무엇인지는 알 수 없지만 이 집에서 누군가 죽었었고 그 일로 인해 집안에 슬픈 기운이 돌고 있다고 생각한 그녀는 물기에 젖은 누군가의 발자국을 따라 다락방으로 올라가게 되고 전에 이 집에 살던 부부 루시(도라 버치)와 데이빗(마크 블루카스)이 찍어놓은 비디오 테이프를 발견한다. 남편 데이빗이 찍은 영상에는 임신을 한 루시와 그들의 사이 좋은 모습 특히 아내를 많이 사랑하는 듯한 데이빗의 모습이 담겨 있다. 하지만 아내에게 애정이 남다른 데이빗의 행동은 조금씩 도를 지나치게 되고 아내를 의심하는 의처증으로 인해 루시는 위험에 닥치게 된다. 남자친구 벤의 아이를 임신 했었던 앨리스는 의심이 심했던 그가 욕조에 물을 틀어놓고 자신을 그 안에 넣어 죽이려 했었던 바람에 아이를 유산하게 되고 비디오 테이프 속 같은 이유로, 같은 방법으로 고문을 당하는 루시를 보며 큰 동질감을 느낀다. 보이지 않은 나머지 부분의 테이프를 찾기 위해 앨리스는 루시가 입던 옷을 입고 루시처럼 화장을 하는 등 그녀와 같은 모습을 하고 앉아 도움을 주겠으니 자신에게 말을 하라며 루시를 달래려 한다. 마지막 테이프를 찾아 루시가 어떻게 되었는지를 알게 되는 앨리스와 루시 그리고 데이빗, 세 사람이 대면하게 되는데..
Canvas
Canvas
Director
Pitted against each other since youth and raised to believe true artists are only formed through suffering, the sisters reunite after years of estrangement. One sister learns authenticity, the other regret, but neither escapes the sins of their father.
Sunday
Sunday
Producer
Burdened by an expired visa, a young couple spend what could be their last night together.