Producer
Editor
Assistant Director
한 여자가 사라진다. 두 남자가 그녀를 찾아 길을 나선다. 둘 다 그녀를 사랑한다.
Producer
A sunny morning in Buenos Aires. All seems quiet, but then an odd race begins: a variety of people are after a backpack. A little army of seekers surprises us at every corner. Suddenly, a lonely bureaucrat (Mapache) is involved in this adventure, and new, mysterious and unknown people start to populate his life, all running around the popular Argentinian city to obtain the backpack which seems to be crucial to his own fate, according to the words of his new accomplice, magician and tarot reader Luminitsia.
Unit Production Manager
아르헨티나 북부 코리엔테스 지방, 라스밀(Las Mil)이라는 작은 마을을 배경으로 펼쳐지는 우정, 사랑, 힘의 관계를 보여준다. 감독은 영화 배경이 되는 지역의 역사나 정치적 상황을 전면에 드러내거나 일절 설명하지 않는다. 하지만 부재를 통해 실제 부재했던 힘을 묘사하는 방식으로, 영화 속에 어떤 공적인 힘도 등장하지 않게 함으로써 실제 정치권력이 수년간 주민들을 방치한 결과를 약물과 빈곤을 통해 드러낸다. 시나리오는 지방 생활의 관습을 보여주는 많은 이야기 속에서 이리스와 레나타 사이의 사랑 이야기를 탄생시킨다.
Producer
Three women meet by chance at the end of the world, in Argentinian Patagonia, and set out on a polyamorous journey, caught up in the search for new kinds of relationships, far from possession and pain. They become the Daughters of Fire, a band dedicated to helping those women who look for their own path to erotica.
Producer
Dogs. With them there is always more than meets the eye. Ask Lionel Falcon. He knows a thing or two about dogs. He’s a photographer, but not your average one. Lionel is in a very particular line of work. He photographs dogs for a living. And he takes his job seriously. Photo shoots and photo calls. But leave it to Lionel: he always comes up with a new idea that makes both owner and dog extremely happy. Devoted to the idea that you need to be a professional no matter what you do, he always doublechecks his settings, the lights, and his work tools. Everything is under control, because every dog has its day and obviously Lionel needs to have his dogs.
Producer
Flora Schvartzman is a ninety year-old single woman who has wanted to die since the day she was born. Distanced from her family, she gets in touch with them to organize her own death. Iair, her great-nephew, is the first one to take an interest in her and her heirless apartment.
Producer
독일 음악가 헬무트 라헨만은 안데르센의 동화 『성냥팔이 소녀』를 직접 각색한 오페라를 무대에 올리기 위해 부에노스아이레스에 오지만, 오케스트라단은 파업 중이다. 그럼에도 라헨만은 공연 준비를 강행한다. 다큐멘터리와 픽션을 오가며 불안정한 긴장감을 자아낸다. 비극적 결말을 맞는 안데르센의 동화와 역시 비극적인 운명을 가진 당나귀의 이야기(로베르 브레송의 영화 "당나귀 발타자르")가 교차하며 삶의 모순되고 비극적인 근원에 다가간다.
Assistant Director
While she faces the tough idea of breaking up with her boyfriend, Emilia moves to a downtown apartment. Among boxes and packed stuff, almost by chance, she starts living the life of the former tenant.
Post-Production Manager
In 1969 Argentine filmmaker Hugo Santiago directed Invasión, his opera prima, written by Jorge Luis Borges and Adolfo Bioy Casares, and later settled in France. This film documents his return to Buenos Aires in 2013 to shoot his latest film, Le ciel du centaure.
Producer
From her own personal experience and from talking with her lifelong friends, Melisa (24) wonders about the mandates and prohibitions that mold the cultural construction of the female gender, especially in relation to the image. With humor and candidness, the film portraits a feminine world seen from the inside, from conversations, personal photos and home movies.
Production Director
