Producer
On August 4th, 2020, the catastrophic explosion at the port of Beirut leaves a large part of the Lebanese capital in ruins. In the midst of the chaos, a troubled film crew face an overwhelming decision: to continue the production of their movie or abandon it? As they face the aftermath of the catastrophe, they are torn between their firm belief in the transformative power of cinema and a deep sense of cynicism about its ability to effect change in a nation plagued by economic turmoil and societal collapse. Dancing on the Edge of a Volcano chronicles their struggles and highlights the crew's resilience as they strive to find meaning and purpose in their work amidst the devastation.
Editorial Consultant
브로드피크에 올랐으나 정상에 닿는 데는 실패했던 마치에이 베르베카. 25년이 흐른 지금 미완의 도전을 완수하러 나선다.
Producer
When her father becomes suddenly paralyzed, the filmmaker spends four years in between hospitals finding shelter behind her camera away from a family tragedy. Rehabilitation centers, cemeteries, love making, VR experiments, fervent prayers and voice notes are the record of a filmmaker’s journey trying to amend the impossible: finding absolution for a broken family by making her father walk again.
Producer
자유로운 영혼의 바드리 가족은 베이루트의 극심한 오염과 사회 불안에서 벗어나기 위해 산속에 유토피아적인 집을 짓고 그곳으로 도피한다. 그러나 예상치 못한 복병이 있었다. 바드리 가족의 집 바로 옆에 불법 쓰레기 매립장이 건설을 시작한 것이다.
Producer
2006년 7월 레바논. 헤즈볼라와 이스라엘 사이의 전쟁이 한창인 가운데 24시간의 휴전이 주어진다. 그 사이 마르완은 아내 라나를 두고 아버지를 찾으러 남쪽으로 향하지만, 마르완은 아버지를 찾지 못하고 아버지의 친구 나지브의 집으로 피신한다.
Producer
1982년 이스라엘의 레바논 침공 당시, 산골 학교에서의 마지막 날. 11살 위삼은 같은 반 친구 조안나에게 사랑을 고백하려고 한다.
Producer
Amal is 14 years old when she ends up on Tahrir Square during the Egyptian revolution, after the death of her boyfriend in the Port Said Stadium riot. During the protests, she is beaten by police and dragged across the square by her hair. This coming-of-age film follows her over the years after the revolution. As the film cuts between the unfolding current events and Amal’s rapidly changing life and appearance, we see her searching for her own identity in a country in transition. Amal is fiery and fearless, sinking her teeth into the protests and constantly lecturing her mother, who works as a judge. A girl among men, she also has to fight for respect and the right to take part, both in the street and in the rest of her life. In Egypt, even for a young woman like Amal—her name means "hope"—the choices open to her for her future are limited.
Producer
A Certain Nasser is the compelling journey of ninety years old Lebanese filmmaker, Georges Nasser, an idealist who couldn't adapt to his country's failing system but whose eyes still light up at the mention of his greatest love, Cinema.
Producer
Panoptic explores Lebanon's schizophrenia. Depicting a nation thriving for modernity while ignoring the vices preventing it from achieving its goal, director Rana Eid examines this paradox through sound, iconic monuments and secret hideouts.
Producer
When hungover Bassem wakes up by the lake shore among dead fish, his sister Youmna, whom he hasn't seen for 12 years, is there with a coffin.
Producer
Desperate to escape Lebanon and settle in Europe, Lillo buys himself a Syrian passport and is ready to appropriate the Syrian identity to obtain asylum. However, what he might not be ready for yet, is everything that comes along with being a Syrian refugee today.
Producer
The octopus believes that the hand in front of it is a prey, but it doesn't know that behind every hand, there is an arm...
Producer
Beirut, at night. Said begins his first shift as a security guard. His orders are clear: watch a bridge. However, in the heart of “the city that never dies”, the exercise is going to be more complicated than it seems.
Producer
Riad, a middle-aged man, holds a firearm shop in a neighbourhood of Beirut. When he meets up with his friends or goes hunting with them, it is often with the aim of evoking together their memories of the civil war fought in the Christian militia. They live in nostalgia for the war that impassioned their youth. Director Myriam El Hajj builds solid architectural images that interrogate — and, perhaps, over time even manage to articulate — the intimate origins of violence that never seems to depart and a past that doesn't want to let go of the present.
Producer
Nanou's first true love story comes to an abrupt end. Rajwa treads carefully into a monogamous relationship. From 2008 to 2013, I accompanied them through their stories of passion and anguish, carrying with them their determination to arrive at the heart of things: to enter the hidden crevices of love, to uncover truth, all for the ever-elusive goal of understanding the essence of their own complex personalities. I entered their world to find answers to my own questions, to use their lives as my lens into discovering new forms of love. I stand at the intersection of friendship, love and seduction, unable to express the extent of my fascination for these women.
