UMMMI.
출생 : 1993-01-01, Tokyo, Japan
약력
Umi Ishihara (UMMMI.) is an artist and film director based in Tokyo and London. She makes experimental narrative films and video installations that centre around love, personal memories, womanhood and wider societal issues. Her works have been exhibited by Centre Pompidou Film Festival Hors Pistes Tokyo, CPH:DOX Copenhagen International Documentary Film Festival exhibition, International Film Festival Rotterdam 2019, and commissioned by the BFI/BBC.
Director
A film inspired by Italian author Cesare Pavese’s novel called The Beautiful Summer
Director
"Janitor of Lunacy follows a young woman’s descent into a digital wormhole via her obsession with a BDSM account run by an unknown user. The film examines social media’s ability to acquire organicity whilst also distorting subjective reality." -UMMMI.
Director
Short by UMMMI.
Director
Video installation by UMMMI.
Writer
Hikari is a newly expectant mother cohabiting with her boyfriend Taro. However, their relationship seems to be on the rocks. The couple has had trouble finding steady employment since graduating from college, and mounting financial problems further strain their relationship. Taro has a secret: he’s been relying on his eccentric aunt Kyoko, who has been acting strangely since losing her husband at a young age. Hikari’s first encounter with Kyoko does not go well, but Hikari visits Kyoko’s home unbeknownst to Taro and is introduced to a world where young women take part in bacchanals. This could spell doom for her relationship with Taro...
Editor
Hikari is a newly expectant mother cohabiting with her boyfriend Taro. However, their relationship seems to be on the rocks. The couple has had trouble finding steady employment since graduating from college, and mounting financial problems further strain their relationship. Taro has a secret: he’s been relying on his eccentric aunt Kyoko, who has been acting strangely since losing her husband at a young age. Hikari’s first encounter with Kyoko does not go well, but Hikari visits Kyoko’s home unbeknownst to Taro and is introduced to a world where young women take part in bacchanals. This could spell doom for her relationship with Taro...
Director
Hikari is a newly expectant mother cohabiting with her boyfriend Taro. However, their relationship seems to be on the rocks. The couple has had trouble finding steady employment since graduating from college, and mounting financial problems further strain their relationship. Taro has a secret: he’s been relying on his eccentric aunt Kyoko, who has been acting strangely since losing her husband at a young age. Hikari’s first encounter with Kyoko does not go well, but Hikari visits Kyoko’s home unbeknownst to Taro and is introduced to a world where young women take part in bacchanals. This could spell doom for her relationship with Taro...
Director
In a dystopian Japan, scientists have developed a new pill hailed as the ultimate forget-me-not. Although the miracle drug transforms society by warding off memory loss, it inexplicably has no effect on the narrator’s mother, a patient with early-onset Alzheimer’s. Deemed a threat to national security, the mother is taken into custody and sequestered away, compelling her daughter to embark on a searching journey back through the fog of memory.
Director
"A couple with some issues has just moved into the town. Driving through the town, they saw many “weird” people from a car window. They began to wonder why they had decided to come to this place. They stepped in an old Chinese restaurant and...? This is a story about the "Disgraced Heaven" for the failures, a only utopia in a hellhole." -UMMMI.
"Ummmi’s Lonely Girl features a young Shibuya girl, sometimes she messes things up, sometimes she is sad or depressed but she lives her life for the fun moments. In these moments she can forget everything which has come before her in life. She needs these moments to keep her going. In constructing this work I tried to embracing the feeling of the fluctuating heart, bouncing between happiness and sadness. Playing with the stereotypes of youth culture, such as loneliness, and a life of excess, I carried this drunk girl from my parents apartment on edge of Shibuya, to Shibuya Station to wait for the first train home. This is a performance archive video." -UMMMI.
Director
"Ummmi’s Lonely Girl features a young Shibuya girl, sometimes she messes things up, sometimes she is sad or depressed but she lives her life for the fun moments. In these moments she can forget everything which has come before her in life. She needs these moments to keep her going. In constructing this work I tried to embracing the feeling of the fluctuating heart, bouncing between happiness and sadness. Playing with the stereotypes of youth culture, such as loneliness, and a life of excess, I carried this drunk girl from my parents apartment on edge of Shibuya, to Shibuya Station to wait for the first train home. This is a performance archive video." -UMMMI.
Director
Video installation by UMMMI.
Director
"This experimental melodrama follows Hikari, and her boyfriend Taro’s visit to his family home. While there Hikari forms an unexpected relationship with Taro’s auntie, Kyoto. As their relationship develops it becomes clear that Kyoko is struggling to control her mental state and the issues that ensue. Taro discovers that Hikari has had a brief affair with a friend of Kyoko’s and cannot control his emotions. This film is about the destruction of old love, and the cultivation of new love becoming tainted by history repeating itself." -UMMMI.
Director
"One day when surfing through the internet, a young women discovers an old blog from several years ago. She attempts to delete it but cannot remember the password. This film attempts to go beyond borders through mixing up personal areas of the Internet by bringing out online records and analogue records, personal spaces lived in by the actor and old blogs and e-mail log in screens, and mixed video footages of various qualities." -UMMMI.
Director
Video installation by UMMMI.
Director
"This work takes the form of a private home video, left unseen, which probes the relationship between love and suicide. Hinging upon Goethe’s seminal novel, The Sorrows of Young Werther, my monologue speaks of the events that transpired between my parents on their slow dance toward destruction. This monologue unfolds quietly over footage filmed mere months ago -- intimate footage of my lover’s elder sister with her husband, footage I had intended to show my parents. Communication can be painfully, heart-wrenchingly difficult, especially with those we love. When will our life end? When will our love end? Adrift on a sea of the unknown in an age of stillness rocked by chaos simultaneous and scattered, perhaps the only response is to pause in place, and stand allied with those unable to fulfill their love and life. To cope is to quietly confront the "impossibility of communication."" -UMMMI.
Footage from a party. The Smiths' song "Heaven Knows I'm Miserable Now" is sung by the partygoers.
Director
Footage from a party. The Smiths' song "Heaven Knows I'm Miserable Now" is sung by the partygoers.
Director
"Whilst staying for 3 months in New York City in 2014, I noticed that the city had a unique presence of psychic stores. Seeing their signs on the streets reminded me of how my mother used to sell power stones, herbs and spiritual material in Tokyo. My mother became interested in psychic spirituality after she went through a hard situation, she became engrossed in its power. When I told this story to my friend Lauren who lives in New York, she was surprised and told me she had just been to psychic therapy to try to get a bad romance off her mind. We started to talk about love which we lost and the possibilities of new love. Sometimes you have to rely on things you can’t see in life, like the power of the psychic. This video is about the tension between real and illusionary life, irremediable sadness and women dealing with difficulty. The actress in the film is Lauren mixed with her interpretation of my mother’s story." -UMMMI.
Director
Short film by UMMMI.
Director
"This installation piece explores the forewarning signs which occur before a defining event taking place. It develops through a mixture of documentary and scripted footages of my father, with texts related to my memory of him mixed into it. Since the Great East Japan Earthquake Disaster of 2011, I have felt that the people of Japan are now forced to live more consciously of the forewarning signs before an incident. This feels as if it’s universally bearing over general social issues as well as miniscule personal level incidents. I decided to feature my own father in this video piece filmed in the style of a fictional documentation. This is all bout Drinking, and weakness." -UMMMI.
Director
"I made this video because my grandmother had erotomania. Erotomania is a type of schizophrenia where the sufferer can’t distinguish between real life and one’s own imagination life. One day my grandma suddenly said, ”I had someone I truly loved when I was young and he is looking for me to pick me up” The next day, she started riding a taxi for few hours trying to find him. ... No one knows if my grandmother’s true love exists or not. ... At the same time as my grandmother I was also on a search. I was looking for angels. My interest in angels started when I discovered Paul Klee’s Angel Drowning series. This series had a profound effect on me. Within the same week my friend took me to a Walter Benjamin lecture where they discussed his angel theories. It was synchronicity. My grandmother and I were both searching for something, something that no one knew existed or not." -UMMMI.
Director
Short by UMMMI.