Salvador Giambastiani

Salvador Giambastiani

출생 : , Italy

사망 : 1921-01-01

약력

Salvador Giambastiani was a director and producer from Italian descent, he was a pioneer in the first years of film in Latin America, founding the production company Giambastiani Films and directing a the first documentaries in the continent.

프로필 사진

Salvador Giambastiani

참여 작품

Los Payasos se van
Cinematography
Los Payasos se van
Editor
Cuando Chaplin enloqueció de amor
Producer
Cuando Chaplin enloqueció de amor
Cinematography
Cuando Chaplin enloqueció de amor
Editor
Mineral El Teniente
Director of Photography
A retrospective about the world of the mineral, following different narrative lines, centered on housing, labor, transport, recreation among others. Original copy is lost, only 14 minutes are available.
Mineral El Teniente
Producer
A retrospective about the world of the mineral, following different narrative lines, centered on housing, labor, transport, recreation among others. Original copy is lost, only 14 minutes are available.
Mineral El Teniente
Editor
A retrospective about the world of the mineral, following different narrative lines, centered on housing, labor, transport, recreation among others. Original copy is lost, only 14 minutes are available.
Mineral El Teniente
Director
A retrospective about the world of the mineral, following different narrative lines, centered on housing, labor, transport, recreation among others. Original copy is lost, only 14 minutes are available.
El Hombre de Acero
Editor
A young man from a wealthy family learns mechanics on his own initiative at the School of Arts and Crafts. Unexpectedly, the family falls into ruin,the boy became then the main supporter. In order to keep supporting his family, he installs a workshop in a town near Santiago.
El Hombre de Acero
Cinematography
A young man from a wealthy family learns mechanics on his own initiative at the School of Arts and Crafts. Unexpectedly, the family falls into ruin,the boy became then the main supporter. In order to keep supporting his family, he installs a workshop in a town near Santiago.
La Agonía de Arauco
Producer
A sentimental adventure about the Mapuche people, also called "Araucanians" by the Spanish colonizers, as they inhabited the historic region called "Arauco", "Araucanía" or also named "Wallmapu" by Mapuche indigenous organizations. The plot develops around the protagonist, who loses her son and her husband
La Agonía de Arauco
Editor
A sentimental adventure about the Mapuche people, also called "Araucanians" by the Spanish colonizers, as they inhabited the historic region called "Arauco", "Araucanía" or also named "Wallmapu" by Mapuche indigenous organizations. The plot develops around the protagonist, who loses her son and her husband
La Agonía de Arauco
Cinematography
A sentimental adventure about the Mapuche people, also called "Araucanians" by the Spanish colonizers, as they inhabited the historic region called "Arauco", "Araucanía" or also named "Wallmapu" by Mapuche indigenous organizations. The plot develops around the protagonist, who loses her son and her husband
La Baraja de la Muerte
Cinematography
In 1916 the Santiago society shuddered with the crime of a wealthy businessman. Corina Rojas, his young wife, was the first woman sentenced to death in Chile and her story inspired the first national feature film.
La Baraja de la Muerte
Editor
In 1916 the Santiago society shuddered with the crime of a wealthy businessman. Corina Rojas, his young wife, was the first woman sentenced to death in Chile and her story inspired the first national feature film.
La Baraja de la Muerte
Producer
In 1916 the Santiago society shuddered with the crime of a wealthy businessman. Corina Rojas, his young wife, was the first woman sentenced to death in Chile and her story inspired the first national feature film.
La Baraja de la Muerte
Director
In 1916 the Santiago society shuddered with the crime of a wealthy businessman. Corina Rojas, his young wife, was the first woman sentenced to death in Chile and her story inspired the first national feature film.
Santiago antiguo
Editor
In First World War times, a Chilean grandmother, surrounded by her grandchildren and in her comfortable mansion, reads to them from a old Architectural book of photographs.
Santiago antiguo
Director of Photography
In First World War times, a Chilean grandmother, surrounded by her grandchildren and in her comfortable mansion, reads to them from a old Architectural book of photographs.