Production Design
An adaptation of Budd Schulberg's incendiary 1941 novel about the rise of an unscrupulous Hollywood producer. The production was divided into two parts and aired on NBC's Sunday Showcase.
Settings
Mayerling is the name of a notorious Austrian village linked to a romantic tragedy. At a royal hunting lodge there, in 1889, Crown Prince Rudolf--desperate over his father's command to put away his teenage mistress, the Baroness Marie Vetsera--shot her to death and killed himself. The misfortune may indeed have been a murder-suicide, but perhaps it was a political assassination, or even the result of a lunatic family vendetta: scholarship is still catching up with the facts.
Production Design
In 1956, BLOOMER GIRL was presented in a live television production starring the magnificent Barbara Cook, whose star was then on the rise, with leading roles in CANDIDE and THE MUSIC MAN still in her future. A solid success when it opened on Broadway in 1944, BLOOMER GIRL boasts a glorious score by the legendary team of Harold Arlen and E.Y. Harburg (THE WIZARD OF OZ). The book by Fred Saidy is set at the brink of the Civil War and addresses issues of women's equality (priorities were the right to vote and to wear bloomers, a liberating alternative to hoop skirts) and racial equality.
Set Designer
Change comes slowly to a small New Hampshire town in the early 20th century. People grow up, get married, live, and die. Milk and the newspaper get delivered every morning, and nobody locks their front doors. This musicalization of Thornton Wilder's classic play stars Frank Sinatra who introduces the song, "Love and Marriage," which would go on to be immortalized as the theme song to the sitcom Married with Children.
Production Design
Marty Pilletti is a 36-year-old butcher who lives with his mother, who is always asking him why he doesn't find a nice girl and get married. The truth is Marty is lonely and would like nothing better, but he has low self-esteem and admits to his mother that he's ugly and no one wants him. He's tired of going to the Saturday night dance with his buddies and then going home more depressed than he was when the evening started. But at one of those dances he meets Clara. They have a great deal in common but Marty will have to overcome peer pressure if he and Clara are to have a relationship.
