Pablo Chernov

In Camouflage, writer Félix Bruzzone embodies a runner who has an obsession with Campo de Mayo, the biggest military unit in Argentina. It is also the place where his mother disappeared in 1976 and the main clandestine center of detention, torture and extermination during the last dictatorship. The film will follow Félix as he finds characters that allow him to enter and explore this place so loaded with history.

마르코스는 야간응급병동의 베테랑 간호사로 수간호사 진급을 눈앞에 두고 있다. 하지만 그에게는 비밀이 하나 있다. 고통 속에 삶을 연명해나가는 환자들을 위해 몰래 안락사를 자행하고 있는 것. 신입간호사인 젊은 가브리엘이 마르코스에게 가깝게 다가오면서 아무도 모르는 그의 비밀은 마르코스를 점점 옥죄고 그는 가브리엘에 대한 뒷조사를 시작한다.

퓨마 한 마리가 아르헨티나 북부에 있는 원주민 마을 푸에블로 나시온 란켈을 활보한다. 사냥은 성년의식 중 하나이기에 나이가 든 소년들은 퓨마를 죽이고 싶어한다. 하지만 우리엘만큼은 다른 길을 선택하는데…

The first Carapintada uprising in 1987 puts Raúl Alfonsín’s presidency in check. A meeting and a speech install an even more latent enigma.

Struggling with the breakdown of a relationship, Leo moves back to a dilapidated 'city of tomorrow' to live with his belligerent grandfather and his father Rafael, a disillusioned engineer who once worked in Cuba's now-abandoned nuclear program.

A group of girlfriends gather almost every day to sunbathe in the terrace of a building, in an age where getting the perfect tan was everything.

A portrait of Argentine director Gastón Solnicki's family over the course of the second half of the 20th century, Papirosen follows four generations still troubled by a war that’s never spoken of. The film juxtaposes different periods with their native image formats, along with landscapes, characters and international political events, as it focuses on a singular decade of a nouveau riche Argentine Jewish family, and the new generation’s introduction into familiar traumas and vitality.

A group of girls and boys in their twenties settle in a country house that seems completely isolated from civilization, invited by Helena, who plans something humiliating for one of the guests.

Three situations of vaguely theatrical origin, stripped of all outer clothing, reveal the track of a different cinema. whose realism seeps into the cracks of his apparently self-contained, closed world.

A young Argentinian woman who works as a museum guide uses her passion - reading - as a means of expression to channel the emotional and working lives of those around her.

Eleven young film-makers got together to collaborate in this atypical project. Atypical not only because of its technical specs, but because of its narrative structure. There are several scenes with only the city in common, and more as a conceptual presence at that than as a precise geography. None of those scenes contains a single "story": Each one of them is part of a larger situation that we cannot see, as though the beginning and end of each "story" had to be filled in by the audience.