Dunja Gry Jensen

The Danish ambassador to Washington declares himself to be the sole representative of a free Denmark during the Nazi occupation of the country.

Year 2095. The world is ravaged by ecological disaster. Oceans have risen and all natural freshwater is gone. Fang Rung has undergone molecular fission in order to send his other half, code name Gordon Thomas, back in time to the year 2017. Gordon goes in search of scientist Mona Lindkvist whose ground-breaking research was lost before it could save the world. When Fang Rung loses contact with Gordon he sees no alternative but to travel back to 2017 himself trying to locate his other half before the world's balances are irreparably damaged. It's a race against time for Fang Rung to save himself and the world.

Year 2095. The world is ravaged by ecological disaster. Oceans have risen and all natural freshwater is gone. Fang Rung has undergone molecular fission in order to send his other half, code name Gordon Thomas, back in time to the year 2017. Gordon goes in search of scientist Mona Lindkvist whose ground-breaking research was lost before it could save the world. When Fang Rung loses contact with Gordon he sees no alternative but to travel back to 2017 himself trying to locate his other half before the world's balances are irreparably damaged. It's a race against time for Fang Rung to save himself and the world.

People in a room in an apartment in a house on a street in a city. "Dreams in Copenhagen" is Max Kestners's documentary film portrait of Denmark's capital. A film about the physical surroundings that are part of shaping our lives. About the buildings we wake up in, the front doors we walk out of, the streets we traverse. It is also a film about how the way we live our lives affect our physical surroundings. About places we dream of and the walls onto which we scratch the names our loved ones, before it is too late.

대도시에서 작은 시골 마을로 발령을 받은 경찰 로버트에게는 고통스러운 과거가 숨겨져 있다. 어느 날 남편에게 폭력적인 학대를 받는 여인이 찾아와 도움을 청한다. 사건을 해결하기 위해 노력하는 로버트, 그 마을에서 나름대로 큰 힘을 가지고 있는 남편을 상대로 미묘한 신경전을 벌이던 중 뜻밖의 사건을 맞게 된다. 은 감독의 말처럼 스토리만 보자면 서부극을 떠올리게 된다. 물론 이 작품은 서부극이 아니다. 그렇다고 빠른 페이스의 스릴러도 아니다. 오히려 지루할 정도로 늘어지는 이야기 전개와 황량한 배경은 미드나잇 패션 관객들에게 졸음을 유발할 수도 있다. 하지만 섣부른 판단은 금물. 느린 이야기 진행과 잔잔한 배경이 이 작품에 힘을 실어주고 흥미를 유발시키는 결정적인 요소기 때문이다.‘ 2008 카를로비바리영화제 대상 수상작’이라는 수식어가 설명 하듯 은 그리 쉽게 지나칠 작품이 아니다. (2008년 제13회 부산국제영화제)

This is Denmark. This is Denmark’s most sold car. This house’s worth has doubled over the last 3 years. A measuring tape and some hedges. So begins Max Kestner’s story on Denmark. With an even-keeled narrative, this film takes us on a kaleidoscope tour around Denmark— from an editorial meeting at a magazine, to dictation in an Elementary school; from singing in a kindergarten, to a family planning their vacation; from a meeting with Pia Kjærsgaard, to a real estate agent in front of a newly sold house and a Danish landscape seen from above. These everyday situations tell universal stories about us. These are contemporary stories. This is Denmark’s world. With speed we shift through each story from up close to far away. This film is a mix of studio recordings with Denmark as its setting. This story is linear with a system of coordinates and a range of colors on repeat. Pseudo-scientific scenes are instruments that make it possible to isolate and compare objects and people.

Rasmus is a commissioning editor prepared to go to lengths to keep people happy - which is just what he has to do, because Rasmus has a problem. He can't say no. To his ex-girlfriend who wants a baby or his new girlfriend, who wants things clear cut, or his author pal, who wants to write for a limited audience, or his new boss, who wants to publish sex guides.