As played by Mylène Mackay in Edith Jorisch’s utterly singular satire, an elegant woman presides over a banquet whose increasingly surreal nature reflects ideals and anxieties about modern motherhood.
Angella
제이미는 아버지의 죽음 이후, 삼촌 댁에서 머무르고 있다. 새로운 곳에서 적응하려 노력하는 한편, 삼촌 부부에게 떠밀려 종교 모임에 참석한다. 그곳에서 또래이지만 제이미와는 달리 신실한 교인인 마리케를 만난다. 모임 내내 제이미의 눈을 사로잡은 마리케. 첫 만남부터 뭔가 통했던 이 둘은 다른 이들의 눈을 피해 사랑을 키우기 시작한다.
Amie rousse de Tom et Phil
Wojtek is a mysterious new student at school. This is why he is a prey designated for Thomas and Philippe, two students in search of entertainment. Not finding the words in front of his assailants, Wojtek will go back to his physical education course to express the substance of his thoughts.
Lily-May decides to tell those closest to her about the choice she has made. She intends to end her life at an assisted suicide clinic. When the time of our own death is predetermined, is saying goodbye any easier?
Maxine
Hakeem and A-Mac are like brothers. Together facing immigrant life in Montreal, while 'spotting' cars after school. Boost gives us a glimpse into the awkward adventures of teenage boyhood, then the jolt, when that innocence ends abruptly.
Amie de Gaby
During a party, Gaby begins to suspect that spreading rumours of a football team gang-bang may well involve her best friend, Carla.
Kelly-Anne
The high-profile case of serial killer Ludovic Chevalier has just gone to trial, and Kelly-Anne is obsessed. When reality blurs with her morbid fantasies, she goes down a dark path to seek the final piece of the puzzle: the missing video of a murdered 13-year-old girl, to whom Kelly-Anne bears a disturbing resemblance.
